Bebop

Roughly: 1940-50

"Technically, bebop was characterized by fast tempos, complex harmonies, intricate melodies, and rhythm sections that laid down a steady beat only on the bass and the drummer's ride cymbal. Bebop tunes were often labyrinthine, full of surprising twists and turns. All these factors - plus the predominance of small combos in bebop - set the music apart from the Swing bands of the 1930s."

- from David H. Rosenthal's book, Hard Bop, published by Oxford Paperbacks, New York, 1992

And coming out of bebop, with the assistance of Miles Davis, and a few other cats, came Cool, and, following closely on its heels and borrowing the suffix, Hard Bop.


The following is an preliminary listing of important figures in BeBop, under their primary instruments. If you have any contributions to this list, let u= s know!

Bassists
Ray Brown, Charles Mingus
Composers
Tadd Dameron
Drummers
Art Blakey, Max Roach, and Kenny Clarke
Pianists
Theloniou= s Monk and Bud Powell
Saxophonists
Charlie Parker, Jackie McLean, Sonny Stitt, and Dexter Gordon
Trombonists
J.J. Johnston
Trumpeters
"Dizzy" Gillespie, Fats Navarro, Miles Davis, and Kenny Dorham


Comments or additions or suggestions can be adressed to:
Yer Mama Net Productions / Justin Hall / jhall1@cc.swarthmore.edu

Justin Hall
jhall1@cc.swarthmore.edu
Last Updated: 95/01/28