Bebop
Roughly: 1940-50
"Technically, bebop was characterized by fast tempos, complex harmonies,
intricate melodies, and rhythm sections that laid down a steady beat only
on the bass and the drummer's ride cymbal. Bebop tunes were often
labyrinthine, full of surprising twists and turns. All these factors -
plus the predominance of small combos in bebop - set the music apart from
the Swing
bands of the 1930s."
- from David H. Rosenthal's book, Hard Bop, published by Oxford
Paperbacks, New York, 1992
And coming out of bebop, with the assistance of Miles Davis, and a few
other cats, came Cool, and,
following closely on its heels and borrowing the suffix, Hard Bop.
The following is an preliminary listing of important figures in BeBop,
under their primary instruments. If you have any contributions to
this list, let u=
s
know!
- Bassists
- Ray Brown, Charles Mingus
- Composers
- Tadd Dameron
- Drummers
- Art Blakey, Max Roach, and Kenny Clarke
- Pianists
- Theloniou=
s
Monk and Bud Powell
- Saxophonists
- Charlie Parker, Jackie McLean, Sonny Stitt, and Dexter Gordon
- Trombonists
- J.J. Johnston
- Trumpeters
- "Dizzy" Gillespie, Fats Navarro, Miles Davis, and Kenny Dorham
Comments or additions or suggestions can be adressed to:
Yer Mama Net Productions / Justin Hall / jhall1@cc.swarthmore.edu
Justin Hall
jhall1@cc.swarthmore.edu
Last Updated: 95/01/28