A Critical Discography of Woody Shaw
version <990330.1125>
|
Now there's a great trumpet player. He can play different
from all of them. -- Miles Davis on Woody Shaw
|
A critical discography of jazz trumpeter Woody Shaw, with selected historical
information.
Table of Contents
- Preface
- Discography by Recording Session
- Discography by Album Release
- Appendix: Supplementary Information
- Format of Discography Entries
- Information on Ratings
- Solo Transcriptions
- References
- Definitions of Abbreviations
- Index by Artist Name
Preface
The author welcomes contributions from all you knowledgeable people at
Internet e-mail address:
Todd Poynor <todd@cup.hp.com>
Very many thanks to these contributors:
Rob Aries, Ashot W Bakunts, Harvey Bloomfield, Trina Borras, Thomas Ford
Brown, Chet Ciechanowki, William R. Damm, Giancarlo Di Napoli, Gordon H.
Fick, Michael Fitzgerald, Michael Frohne, Mark Goldstein, Maxine Gordon,
Don Jordan, Bill Kenz, Vladimir Korovkin, Derek Martin, Bob McWilliams,
Martin Milgrim, Ashwin Panemangalore, R. Lynn Rardin, Ronald F. Roberts,
Alan Saul, Matt Schofield, Marcel Franck Simon
... and the whole USENET rec.music.bluenote population.
This discography is organized in two ways: as a
list of recording sessions, and as a list of
releases. An index by artist appears at the
end of this document. Information on the format of the
entries in the discography, the ratings of
albums, and the abbreviations used in this document
appear in the appendix.
Discography by Recording Session
The Discography by Recording Session is presented as a list of
recording sessions in chronological order, with selected biographical
information in italics.
Woody Herman Shaw was born on December 24, 1944 in Laurinburg, NC, and raised
in Newark, NJ. Woody's first "big time" gig was at the Club Coronet in
Brooklyn with Willie Bobo. He met Eric Dolphy there.
Music Makers, Inc.; May-June, 1963
Eric Dolphy - as, fl, b clar; Bobby Hutcherson - vbs; WS - tp; Eddie Kahn
- b; J.C. Moses - dr; Charles Moffet - dr; Clifford Jordan - ss; Prince
Lasha - fl; Sonny Simmons - as; Huey Simmons - as; Richard Davis - b.
| 1. | Jitterbug Waltz | (Waller) | 7:05
|
| 2. | Iron Man | (Dolphy) | 9:03
|
| 3. | Mandrake | (Dolphy) | 4:43
|
| 4. | Burning Spear | (Dolphy) | 11:45
|
-
Eric Dolphy -- Conversations:
track 1
-
Eric Dolphy -- Iron Man: tracks 2,3,4.
-
Eric Dolphy -- Jitterbug Waltz
-
Eric Dolphy -- Memorial Album: track 1
-
Eric Dolphy -- Music Matador: track 1
-
Eric Dolphy -- Everest Archives of Folk and Jazz: track 1
Woody's first recording date, and a brilliant debut. One reviewer
thought "Woody Shaw" was Freddie Hubbard using a pseudonym.
According to Simosko and Tepperman in "Eric Dolphy: A Musical Biography
and Discography", the records were recorded over a 5 session period
from late May to early June 1963. Recorded by Alan Douglas in NY. --
Bill Kenz
In 1964, Woody went to Paris, originally slated to appear with Eric Dolphy
before his untimely death.
Villingen, Black Forest, Germany; January 30, 1965
WS - tp; Nathan Davis - ts, ss, fl; Larry Young - p; Jimmy Woode - b;
Billy Brooks - dr.
| 1. | Happy Girl | (Davis) | 7:16
|
| 2. | Theme from Zoltan | (WS) | 5:07
|
| 3. | Evolution | (Davis) | 7:13
|
| 4. | Along Came Byrd | (Davis) | 2:16
|
| 5. | Mister E | (Davis) | 3:19
|
-
Nathan Davis -- Happy Girl
-
Nathan Davis -- Two Originals
Very good WS, on par with his work with Horace Silver but in a somewhat
more progressive ensemble.
Studio de la Comedie des Champs-Elysees, Paris; May 7, 1965
WS - tp; Nathan Davis - ts, ss; Jean-Louis Chautemps - bs; Rene Urtreger -
p; Jimmy Woode - b; Kenny Clarke - dr.
| 1. | Klook's Theme | (Davis) | 4:21
|
| 2. | Peace Treaty | (Davis) | 3:41
|
| 3. | Sconsolato | (Woode) | 3:25
|
| 4. | Now Let M' Tell Ya | (Davis) | 5:57
|
| 5. | Kansas City Special | (Davis) | 4:24
|
-
Nathan Davis -- Peace Treaty
-
Nathan Davis -- The Nathan Davis Sextet
Similar to the "Paris Reunion Bands" of the 80's that brought some of
these players back together.
Paris, France; May 15, 1965
WS - tp; Ivan Julien - tp; Sonny Grey - tp (1-4); Roger Guerin - tp (5-8);
Francois Guin - tb; Raymond Fonseque - tb; Michel Portal - as; Jacques
DiDonato - as; Nathan Davis - ts; Henri Jouhard - bs (1-4); Jean-Louis
Chautemps - ts (5-8); Jef Gilson - p, arr; Alby Cullaz - b; Jacques
Thollot - dr; Bernard Lubat - vbs.
| 1. | Made for Mad
|
| 2. | Modalito pur Mimi
|
| 3. | Jazz Gymnopedie
|
| 4. | Quintes de Tout
|
| 5. | Jazz a la quatre
|
| 6. | Nuages de Pierre
|
| 7. | Happy filou
|
| 8. | Je me souviens encore du grand orchestre de Dizzy Gillespie
en 1948
|
-
Jef Gilson -- A Caveau
Woody returned to the US in May, 1965 to take the place of Carmell Jones in
Horace Silver's group the following month. Woody remained with Silver for
two and a half years, until Silver disbanded the group. Woody has claimed
that Silver was unhappy with certain influences Woody and saxophonist Tyrone
Washington brought to his music.
Van Gelder Studio, Englewood Cliffs, NJ; October 1 and 22, 1965
WS - tp; J.J. Johnson - tb (4-6); Joe Henderson - ts; Horace Silver - p;
Bob Cranshaw - b; Roger Humphries - dr.
| 1. | The Cape Verdean Blues | (Silver) | 4:55
|
| 2. | The African Queen | (Silver) | 9:40
|
| 3. | Pretty Eyes | (Silver) | 7:30
|
| 4. | Nutville | (Silver) | 7:15
| [transcribed]
|
| 5. | Bonita | (Silver) | 8:38
|
| 6. | Mo' Joe | (Henderson) | 5:45
|
-
The Horace Silver Quintet -- The Cape Verdean
Blues
-
Horace Silver -- The Best of Horace Silver
(Blue Note re-issue series): tracks 1 and 4
-
Horace Silver -- The Best Of vol. 2 (The Blue
Note Years): tracks 1,3,4
-
Horace Silver -- Greatest Hits: track 1
-
Joe Henderson -- The Blue Note Years:
track 4
-
various artists -- Blue Bossa: track 1
Woody's solos on "African Queen" and "Nutville" alone are worth the
price of admission. Woody's and Henderson's progressive styles are
perhaps not the perfect complements to Silver's funkier niche, but the
mixture of the two sounds great to this author.
The Penguin guide, on the other hand, lumps Woody together with a
number of sidemen described as "typical Silver horns", further
asserting that "only Johnson and Henderson [on the records of this
period] threaten to be something rather more special".
Van Gelder Studio, Englewood Cliffs, NJ; November 10, 1965
Larry Young - org; WS - tp; Joe Henderson - ts; Elvin Jones - dr.
| 1. | Zoltan | (WS) | 7:36
|
| 2. | If | (Henderson) | 6:42
|
| 3. | The Moontrane | (WS) | 7:18
| [transcribed]
|
| 4. | Softly, As In A
Morning Sunrise | (Romberg/Hammerstein) | 6:20
|
| 5. | Beyond All Limits | (WS) | 6:00
|
-
Larry Young -- Unity
-
Larry Young -- The Complete Blue Note Recordings
of Larry Young
-
Larry Young -- The Art of Larry Young: track 3
-
Joe Henderson -- The Blue Note Years:
tracks 2,4
Woody's playing here might not stand head and shoulders above his other
work, but Unity is a superb album, and Larry Young never sounded
better. Woody received a lot of attention for his playing and writing
on this date.
The Club Ruby, NYC; mid 1960's
WS - tp; Walter Kelly - tp; Blue Mitchell - tp; Lonnie Smith - p; Peck
Morrison - b; Walter Perkins - dr.
| 1. | What's New | (19:32)
|
| 2. | Bag's Groove | (15:02)
|
-
various artists -- A Trumpet Tribute: A
Tribute to Fats Navarro, Clifford Brown & Booker Little
NYC; December, 1965
WS - tp; Joe Henderson - ts; Larry Young - p; Herbie Hancock - p; Ron
Carter - b; Paul Chambers - b; Joe Chambers - dr.
| 1. | Cassandranite | (WS) | 7:00
|
| 2. | Obsequious | (Young) | 8:00
|
| 3. | Baloo Baloo | (Johnson) | 6:00
|
| 4. | Three Muses | (WS) | 6:22
|
| 5. | Tetragon | (Henderson) | 6:35
|
-
Woody Shaw -- In The Beginning
-
Woody Shaw -- Cassandranite
-
Woody Shaw -- Last of the Line
-
Woody Shaw -- Dark Journey: tracks 1,2,3,5
This session was organized by Woody as a "demo", hoping in vain to gain
a recording contract. The recordings were not released commercially
until almost two decades later. The session is excellent; indeed, it
is difficult to believe no record producer took notice. Woody's style
is similar to that used on his recordings with Horace Silver at the
time, but these more progressive rhythm sections sound more to Woody's
liking.
The Half Note nightclub, NYC; February 11 and 18, 1966
Horace Silver - p; WS - tp; Joe Henderson - ts; Larry Ridley - b; Roger
Humphries - dr.
| 1. | The African Queen | (Silver) | 8:59
|
| 2. | The African Queen | (Silver) | 10:20
|
-
The Horace Silver Quintet -- The Natives Are
Restless Tonight
-
Horace Silver -- Re-Entry
Soundboard recordings released under legitimate auspices (at least in
the case of the Emerald release). The sound quality is poor, but the
performances are top-notch.
Van Gelder Studio, Englewood Cliffs, NJ; November 2 and 23, 1966
WS - tp; James Spaulding - as, fl; Tyrone Washington - ts; Horace Silver -
p; Larry Ridley - b; Roger Humphries - dr.
| 1. | The Jody Grind | (Silver) | 5:45
|
| 2. | Mary Lou | (Silver) | 7:10
|
| 3. | Mexican Hip Dance | (Silver) | 5:55
|
| 4. | Blue Silver | (Silver) | 7:00
|
| 5. | Grease Piece | (Silver) | 7:30
|
| 6. | Dimples | (Silver) | 7:20
|
-
Horace Silver -- The Jody Grind
-
Horace Silver -- The Best of Horace Silver
(Blue Note re-issue series): track 1
-
Horace Silver -- The Best Of vol. 2 (The Blue
Note Years): tracks 1,3
-
Horace Silver -- Greatest Hits: track 1
Atlantic Recording Studios, NYC; November 30 & December 1, 1966
Chick Corea - p; Joe Farrell - ts, fl; WS - tp; Steve Swallow - b; Joe
Chambers - dr.
| 1. | Straight Up and Down | (Corea) | 12:32
|
| 2. | This Is New | (Weill/Gershwin) | 7:30
|
| 3. | Litha | (Corea) | 13:28
|
| 4. | Inner Space | (Corea) | 9:18
|
| 5. | Guijira | (Corea) | 12:19
|
-
Chick Corea -- Tones for Joan's Bones:
tracks 1-3
-
Chick Corea -- Inner Space (LP)
-
Chick Corea -- Inner Space (CD): tracks 1,3,4,5
-
Chick Corea, Herbie Hancock, Keith Jarrett,
McCoy Tyner: track 2
-
Chick Corea -- Best Of Chick Corea: track 1
-
various artists -- Atlantic Jazz:
Keyboards: track 1
WS in a hard-blowing mood. Especially recommended for Corea fans.
?; November 15, 1967
WS - tp, flg; Buddy Terry, Joe Thomas - ts; Robbie Porter - bs (1); Larry
Young - org; Jiggs Chase - org; Wally Richardson - gtr (1); Jimmy Lewis -
b; Eddie Gladden - dr; The Terry Girls - voc.
| 1. | Natural Soul (Sunday Go to Meeting Blues) | 6:00
|
| 2. | Don't Be So Mean | 5:35
|
| 3. | The Revealing Time | 12:35
|
-
Buddy Terry -- Natural Soul
Van Gelder Studio, New Jersey; December 22, 1967
Jackie McLean - as; WS - tp; LaMont Johnson - p; Scott Holt - b; Jack
DeJohnette - dr.
| 1. | Demon's Dance | (McLean) | 7:09
|
| 2. | Boo-Ann's Grand | (WS) | 6:59
|
| 3. | Sweet Love Of Mine | (WS) | 6:07
|
| 4. | Floogeh | (McLean) | 5:22
|
| 5. | Message From Trane | (Massey) | 5:32
|
-
Jackie McLean -- Demon's Dance
Penguin notes Woody's performance as the highlight.
Track "Boo-Ann's Grand" is mislabeled "Boo Ann's Grind" on the Blue
Note Demon's Dance release.
Van Gelder Studio, Englewood Cliffs, NJ; 1967-1968 (?)
WS - tp; James Spaulding - as; Kenny Barron - p; Reggie Workman - b; Joe
Chambers - dr.
| 1. | Natural Essence | (Washington)
|
| 2. | Yearning for Love | (Washington)
|
| 3. | Positive Path | (Washington)
|
| 4. | Soul Dance | (Washington)
|
| 5. | Ethos | (Washington)
|
| 6. | Song of Peace | (Washington)
|
-
Tyrone Washington -- Natural
Essence
Van Gelder Studio, Englewood Cliffs, NJ; January 19, 1968
Hank Mobley - ts; WS - tp, flg; George Benson - gtr; Lamont Johnson - p;
Bob Cranshaw - b; Billy Higgins - dr.
| 1. | Reach Out (I'll Be There)
| (Holland/Dozier/Holland) | 6:47
|
| 2. | Up Over And Out | (Mobley) | 5:51
|
| 3. | Lookin' East | (Mobley) | 5:17
|
| 4. | Goin' Out Of My Head | (Redanzo-Weinstein) | 7:25
|
| 5. | Good Pickin's | (Mobley) | 5:30
|
| 6. | Beverly | (Johnson) | 7:04
|
-
Hank Mobley -- Reach Out!
Van Gelder Studio, Englewood Cliffs, NJ; May 24, 1968
Booker Ervin - ts; WS - tp; Kenny Barron - p; Jan Arnett - b; Billy
Higgins - dr.
| 1. | Gichi | | 7:25
|
| 2. | Den Tex | | 7:32
|
| 3. | In A Capricornian Way | (WS) | 5:47
|
| 4. | Lynn's Tune | | 6:10
|
| 5. | 204 | | 10:15
|
-
Booker Ervin -- Booker Ervin
-
Booker Ervin -- Back From The Gig (Blue Note
Reissue Series)
Van Gelder Studio, New Jersey; September 8, 1968
WS - tp; Grachan Moncur III - tb; Jackie McLean - as; Lamont Johnson - p;
Scotty Holt - dr; Barbara Simmons - voc.
| 1. | Soul | 10:15
|
| 2. | Conversion Point | 9:45
|
| 3. | Big Ben's Voice | 10:06
|
| 4. | Big Ben's Voice | 9:55
|
| 5. | Erdu | 5:54
|
-
Jackie McLean -- 'Bout Soul (CD)
-
Jackie McLean -- 'Bout Soul (LP): tracks
1-3,5
-
various artists -- Blue Break Beats
vol. 3: track 1(?)
The poetry of Ms. Simmons on track "Soul" makes for a quaint period
piece. Other tracks are aggressive, energetic hard bop in line with
McLean's other late 60's recordings.
Van Gelder Studio, New Jersey; August 23, 1968
WS - tp; Gary Bartz - as, wd fl; Wayne Shorter - ts, clar; Ron Carter -
cell; McCoy Tyner - p; Herbie Lewis - b; Freddie Waits - dr.
| 1. | Vision | (Tyner) | 12:15
|
| 2. | Song Of Happiness | (Tyner) | 11:55
|
| 3. | Smitty's Place | (Tyner) | 5:20
|
| 4. | Peresina | (Tyner) | 10:20
|
-
McCoy Tyner -- Expansions
-
McCoy Tyner -- Best of McCoy Tyner: The Blue Note
Years: track ?
An interesting set of Tyner originals/arrangements. WS seems to be
uncomfortable soloing at the same time as Bartz during "Smitty's".
Warnings for those who don't care for Carter's cello.
Live at the Left Bank Jazz Society, Baltimore, MD; March 30, 1969
Gary Bartz - as, steel dr, bells; WS - tp; Albert Dailey - p; Bob
Cunningham - b; Rashied Ali - dr.
| 1. | B.A.M. | (Bartz) | 11:17
|
| 2. | Love | (Bartz) | 11:28
|
| 3. | Rise | (Bartz) | 8:45
|
| 4. | Amal | (Bartz) | 7:18
|
| 5. | It Don't Mean a Thing | (Ellington/Mills) | 5:12
|
-
Gary Bartz Ntu Troop -- Home!
Live in New Jersey (probably Rutgers University); April 15, 1969
WS - tp; Carlos Garnett - ts; George Cables - p; Scott Holt - b; Art
Blakey - dr.
| 1. | A Night In Tunisia | (Paparelli/Gillespie) | 22:18
|
| 2. | Original Theme | (WS) | 25:46
|
-
Art Blakey -- Mellow Blues
Session probably taped from a broadcast of a performance at Rutgers
University.
Woody blows harder and higher than his usual. In "Tunisia" he plays
a few tributes to Gillespie and Lee Morgan -- it is the same
arrangement the Messengers with Lee Morgan used to play. There are a
few rough spots, such as when Garnett comes in with the "Tunisia"
background figure at the wrong moment. "Original Theme" is credited to
WS; I haven't matched it to another recording of the same piece.
The first session I've found of the Jazz Messengers with Woody.
Woody played as a (sometimes?) member of the group until 1972,
also recording with them again in 1973 and touring Europe in 1976.
May 16, 1969
Andrew Hill - p; WS - tp; Carlos Garnett - ts; Richard Davis - b; Freddie
Waits - dr; Lawrence Marshall, La Reine La Mar, Gail E. Nelson, Joan
Johnson, Benjamin Franklin Carter, Antenett Goodman Ray, Ron Steward -
voc.; Lawrence Marshall - cond.
| 1. | Hey Hey
|
| 2. | Lift Every Voice
|
| 3. | Two Lullabies
|
| 4. | Love Chant
|
| 5. | Ghetto Lights
|
-
Andrew Hill -- Lift Every Voice
New York; June 30, 1969
Chick Corea - p; Hubert Laws - fl, pclo; Jack DeJohnette - dr; Dave
Holland - b; WS - tp; Horace Arnold - dr; Bennie Maupin - ts.
| 1. | Converge | (Corea) | 8:01
|
| 2. | Vamp | (Corea) | 9:57
|
| 3. | Is | (Corea) | 29:00
|
-
Chick Corea -- Early Days: tracks 1-2
-
Chick Corea -- Is: track 3
-
Chick Corea -- Jazzman: tracks 1-2
-
various -- Jazz Giants: tracks 1-2
-
Chick Corea -- Sundance: track 1
-
Chick Corea -- Before Forever: track 1
-
Chick Corea and Mike Longo -- Piano Giants:
track 1
-
Chick Corea featuring Lionel Hampton: track 1
-
Chick Corea -- Blue Note Reissue Series:
track 3
Progressive group improv. "Converge" shows WS and Bennie playing well
off each other's ideas. WS makes a rare appearance in harmon mute on
"Vamp". Track "Is" is the least successful.
The recording date for "Is" is taken from the Blue Note Reissue Series
album. Only the year of the recording is listed for the other tracks,
but are almost certainly from the same session(s) that produced "Is".
Many albums credit WS on tracks on which he does not actually appear.
Maupin is not credited on the Solid State "Is" release, an oversight
corrected on the "Reissue Series".
RCA Studios, NYC; August 26, 1969
Archie Shepp - ts, ss; WS - tp; Matthew Gee - tb; C. Sharpe - as; Cecil
Payne - bs; Cedar Walton - p; Wilbur Ware - b; Joe Chambers - dr; Chinalin
Sharpe - voc (1).
| 1. | Un Croque Monsieur (Poem: For Losers) | (Shepp) | 21:45
|
| 2. | Slow Drag | (Shepp) | 10:15
|
-
Archie Shepp -- For Losers: track 1
-
Archie Shepp -- Kwanza: track 2
On "Slow Drag", the rhythm section can't stay together -- sounds like
Walton's rushing. Shepp and WS play well, under the circumstances.
Olmsted Sound Studios, NYC; September 25, 1969
Stanley Cowell - p; WS - tp, mar; Tyrone Washington - ts, fl, cl, mar;
Bobby Hutcherson - vbs; Reggie Workman - b, el b; Joe Chambers - dr.
| 1. | Brilliant Circles | (Cowell) | 15:44
|
| 2. | Earthly Heavens | (Washington) | 6:48
|
| 3. | Boo-Ann's Grand | (WS) | 9:14
|
| 4. | Bobby's Tune | (Hutcherson) | 10:59
|
-
Stanley Cowell -- Brilliant Circles
Originally released in England on Black Lion, according to the liner
notes.
Adventurous hard bop. Cowell, in particular, shines.
Live at the Left Bank Jazz Society, Baltimore, MD; April 26, 1970
Roy Brooks - dr; WS - tp; George Coleman - ts; Hugh Lawson - p; Cecil
McBee - b
| 1. The Free Slave | (Brooks)
|
| 2. Understanding | (Brooks)
|
| 3. Will Pan's Walk | (McBee)
|
| 4. Fire for Max | (Brooks)
|
-
Roy Brooks -- The Free Slave
A&R Studios, NYC; July 1, 1970
Pharoah Sanders - ss, perc; WS - tp, perc; Gary Bartz - as, perc; Lonnie
Liston Smith - p, perc; Cecil McBee - b; Clifford Jarvis - dr; Nathaniel
Bettis - perc; Anthony Wiles - cong, perc.
| 1. Summun, Bukmun, Umyun | (Sanders) | 21:17
|
| 2. Let Us Go Into The House
Of The Lord | (adapted by Smith) | 18:25
|
-
Pharoah Sanders -- Summun, Bukmun,
Umyun
Van Gelder Studios, Englewood Cliffs, NJ; July 31, 1970
Hank Mobley - ts; WS - tp; Eddie Diehl - g; Cedar Walton - p; Mickey Bass
- b; Leroy Williams - dr.
| 1. | Suite | 10:02
|
| | a) Thinking of Home
|
| | b) The Flight
|
| | c) Home At Last
|
| 2. | Justine | 13:04
|
| 3. | You Gotta Hit It | 5:32
|
| 4. | Gayle's Groove | 5:30
|
| 5. | Talk About Gittin' It | 8:40
|
-
Hank Mobley -- Thinking of Home
"Woody's large sound is in full form. A bop-inspired recording with
hints of soul-jazz in the Horace Silver "Song for My Father" tradition.
Probably a *** ranking; not groundbreaking, but cleanly produced and
skillfully performed." -- Mark Goldstein
live at The Lighthouse Cafe, Hermosa Beach, CA; September 24-26, 1970
WS - tp, flg; Joe Henderson - ts; George Cables - el p; Ron McClure - b;
Lenny White - dr; Tony Waters - cong.
| 1. | Caribbean Fire Dance | (Henderson) | 5:37
|
| 2. | Recorda-Me | (Henderson) | 8:18
|
| 3. | A Shade of Jade | (Henderson) | 10:28
|
| 4. | Isotope | (Henderson) | 4:28
|
| 5. | Mode for Joe | (Walton) | 8:34
|
| 6. | If You're Not Part of the
Solution, You're Part of
the Problem | (not credited) | 11:29
|
| 7. | Blue Bossa | (Dorham) | 9:45
|
| 8. | Closing Theme [Isotope] | (Henderson) | :47
|
| 9. | Invitation | (Kaper) | 7:36
|
| 10. | Gazelle | (Henderson) | 7:34
|
-
Joe Henderson -- If You're Not Part of
the Solution, You're Part of the Problem (a.k.a. Live at the
Lighthouse): tracks 1,5-8
-
Joe Henderson -- In Pursuit of
Blackness: tracks 9-10
-
Joe Henderson -- Tetragon/In Pursuit of
Blackness: track 10
-
Joe Henderson -- The Milestone Years
Joe invited Woody to be a part of his band around this time, but the
association was brief. There's some good material here that hints
at how great this band could have been if they'd stayed together
longer.
?; September, 1970?
Joe Henderson - ts; WS - tp; George Cables - el p; Ron McClure - b, el b;
Lenny White - dr.
| 1. | Invitation | (Kaper/Webster)
|
| 2. | Punjab | (Henderson) | see below
|
| 3. | Power to the People | (Henderson) | see below
|
-
Joe Henderson and Woody Shaw -- Jazz
Patterns
The two Joe Henderson originals are labelled with unusual titles of
unknown origin: track "Punjab" is labelled "Lofty", and track "Power to
the People" is labelled "What's Mine Is Yours".
A&R Studios, NYC; December 8-9, 1970
WS - tp; Gary Bartz - as, ss; Bennie Maupin - ts, b clar, fl; George
Cables - p, el p; Ron Carter - b; Clint Houston - b; Lenny White - dr.
| 1. | Blackstone Legacy | (WS) | 16:08
|
| 2. | Think On Me | (Cables) | 10:49
|
| 3. | Lost and Found | (WS) | 11:57
|
| 4. | New World | (Cables) | 18:30
|
| 5. | Boo-Ann's Grand | (WS) | 14:35
|
| 6. | A Deed For Dolphy | (WS) | 8:59
|
-
Woody Shaw -- Blackstone Legacy
Woody's debut as a leader. Although the all-star band is somewhat
"loose", the music crackles with energy and imagination. Some strong
parallels to Miles' Bitches Brew in concept, instrumentation,
and personnel.
Atlantic Recording Studios, NYC; 1970-1971?
Joe Zawinul, Herbie Hancock - el p; George Davis, fl; WS - tp; Earl
Turbinton - ss; Miroslav Vitous, Walter Booker - b; Joe Chambers, Billy
Hart, David Lee - perc.
| 1. | Doctor Honoris Causa | (Zawinul) | 14:47
|
| 2. | In A Silent Way | (Zawinul) | 4:47
|
| 3. | Double Image | (Zawinul) | 10:37
|
-
Joe Zawinul -- Zawinul
-
Joe Zawinul -- Concerto Retitled: track 2.
-
various artists -- Atlantic Jazz:
Introspection: track 2.
The music is similar to Zawinul/Shorter's early Weather Report albums,
with somewhat less of an accent on group improv. WS has one solo,
playing rather sparse lines by his standards; Zawinul plays well off
his ideas behind him.
?; 1970-1971?
Walter Bishop Jr. - p; Harold Vick - ts; WS - tp; Reggie Johnson - b; Alan
Shwaetz Benger - dr.
| 1. | Our November | (Bishop) | 5:11
|
| 2. | Three Loves | (Bishop) | 4:41
|
| 3. | Freedon Suite | (Bishop) | 9:31
|
-
Walter Bishop, Jr. -- Coral Keys
Sound Idea Studio, NYC; February 10, 1971
WS - tp; Joe Chambers - dr; Garnett Brown - tb; Harold Vick - fl, ts;
George Cables - el p; Cecil McBee - bass.
| 1. | Medina | (Chambers) | 8:27
|
| 2. | Early Minor
|
-
Joe Chambers -- The Almoravid
-
Woody Shaw -- Cassandranite: track 1 (see
below)
-
Woody Shaw -- Last of the Line: track 1
Some pressings of Cassandranite on the Muse label may include
track 1; other pressings actually contain the track Sanyas from
Woody's album The Moontrane in its place (but mislabelled
Medina).
?; 1971-1972?
Buddy Terry - ts, ss, fl; WS - tp; Eddie Henderson - tp, flg; Kenny Barron
- p; Joanne Brackeen - p, el p; Stanley Clarke - b; Mchezaji - b; Billy
Hart - dr; Lenny White - dr; Airto Moreira - perc; Mtume - perc.
| 1. | Quiet Afternoon | (Clarke) | 10:09
|
| 2. | Paranoia | (Terry) | 10:45
|
| 3. | Baba Hengates | (Mtume) | 17:07
|
-
Buddy Terry -- Pure Dynamite
Lugano, Switzerland; April 5-6, 1972
George Gruntz - p; Daniel Humair - dr; Niels Henning Orsted-Pedersen - b;
Runo Ericson, Ake Persson, Jiggs Whigham, Eric Kleinschuster - tb; Virgil
Jones, Benny Bailey, Dusko Goykovich, WS, Franco Ambrosetti - tp; Flavio
Ambrosetti - ss, as; Dexter Gordon - ts; Herb Geller - ss, as; Sahib
Shihab - bs, voc; Phil Woods - as; Eddie Daniels - ts.
| 1. | Our Suite Dig | (Ambrosetti) | 11:00
|
| 2. | Pistrophallobus | (Ambrosetti) | 10:15
|
| 3. | Witch Stritch | (Humair) | 12:27
|
| 4. | English Waltz | (Ambrosetti) | 6:50
|
| 5. | The Tango | (Gruntz) | 7:37
|
| 6. | Gravenstein | (Humair) | 5:55
|
| 7. | Saint Charity | (Gruntz) | 9:07
|
| 8. | The Age Of Prominence | (Ambrosetti) | 19:43
|
-
The Band Directed by George Gruntz -- The
Alpine Power Plant
WS solos on English Waltz and The Age Of Prominence
(first solo both titles).
Van Gelder Studios, Englewood Cliffs, NJ; July 28, 1972
Art Blakey - dr; WS - tp; Ramon Morris - ts; George Cables - p, el p;
Stan Clarke - b; Ray Mantilla - cong; Manny Boyd - fl
| 1. | C.C. | (Clarke) | 12:20
|
| 2. | Child's Dance (Christian's Song) | (Morris) | 7:40
|
| 3. | I Can't Get Started | (Gershwin/Duke) | 7:30
|
-
Art Blakey -- Child's Dance (LP)
-
Art Blakey -- And The Jazz Messengers, vol. 1 -
Child's Dance (CD)
Art Blakey had his modal electric period, in keeping with the tenor of
the times. The other Blakey sessions from 1972-1973 listed here are in
a similar vein.
WS is blowing strong and clear, and his upper range stays intact. "I
Can't Get Started", a WS vehicle, is outstanding. This band often
doesn't quite "gel", particularly in the rhythm section, where Blakey
often seems to be fighting with the rest of the section over tempos
(particularly on other sessions not listed here).
In 1972, Woody moved to Los Angeles, and a few months later to San Francisco.
Contemporary Studios, Los Angeles; September 15 and 18, 1972
WS - tp; Emanuel Boyd - fl, ts; Ramon Morris - ts; Woodrow Theus II - dr;
George Cables - p, el p; Henry Franklin - b; Bennie Maupin - ts.
| 1. | Song of Songs | (WS) | 11:37
|
| 2. | The Goat and the Archer | (WS) | 7:33
|
| 3. | Love: For the One You Can't Have | (WS) | 10:03
|
| 4. | The Awakening | (WS) | 8:44
|
-
Woody Shaw -- Song of Songs
An adventurous date featuring a few of Woody's co-sidemen in the Art
Blakey group of that time. A little distractingly heavy on the electric
piano effects.
Fantasy Studios, Berkeley, CA; March 26-29, 1973
Art Blakey - dr; Jon Hendricks - voc (6,10); WS - tp; Carter Jefferson -
ts, ss; Cedar Walton - el p, p; Steve Turre - tb (11,12); Michael Howell -
gtr (5,7,8,9); Mickey Bass - b; Tony Waters - cong.
| 1. Anthenagain | (Walton) | 11:56 | Mar 26-27
|
| 2. I'm Not So Sure | (Walton) | 7:07 | Mar 26-27
|
| 3. Gertrude's Bounce | (Powell) | 4:43 | Mar 26
|
| 4. Siempre Mi Amor | (Bass) | 4:52 | Mar 26
|
| 5. Mission Eternal | (Walton) | 12:10 | Mar 27
|
| 6. Moanin' | (Timmons/Hendricks) | 5:31 | Mar 27
|
| 7. A Chant for Bu | (Bass) | 8:36 | Mar 28
|
| 8. One for Trane | (Bass) | 6:08 | Mar 28
|
| 9. Along Came Betty | (Golson/Hendricks) | 6:06 | Mar 28
|
| 10. Along Came Betty | (Golson/Hendricks) | 4:52 | Mar 28
|
| 11. Love: For the One
You Can't Have | (WS) | 6:23 | Mar 29
|
| 12. Fantasy in D | (Walton) | 8:38 | Mar 29
|
-
Art Blakey -- Anthenagain: tracks
1,2,9,11-12
-
Art Blakey -- Buhaina: tracks
3,5-8,10
-
Art Blakey -- And The Jazz Messengers, vol. 1 -
Child's Dance: tracks 1-2
-
Art Blakey -- And The Jazz Messengers, vol. 2 -
Mission Eternal: tracks 3-12
-
Art Blakey -- The History of Art Blakey and the
Jazz Messengers: track 3
-
various artists -- Jazz Dance Classics Vol.
3: track 6
Recorded while Blakey was in San Francisco for an extended engagement
at the Keystone Korner club; WS was invited to re-join the band for the
club dates and these recording sessions.
Very good in places, surprisingly weak in others. WS blows hard and
sometimes loses his upper range. "Moanin'" and "Chant" are highlights,
while nobody seems to be "on" during "Gertrude's Bounce". Most players
are alternately a little shaky or very hot. Guitarist Michael Howell
sounds rather uncomfortable.
Live at the Montreux Jazz Festival; July 5, 1973
Bobby Hutcherson - vbs; Cecil Bernard - p; WS - tp; Ray Drummond - b;
Larry Hancock - d.
| 1. Anton's Bail | (Hutcherson) | 12:34
|
| 2. The Moontrane | (WS) | 10:42
|
| 3. Farallone | (Hutcherson) | 13:11
|
| 4. Song of Songs | (WS) | 13:50
|
-
Bobby Hutcherson -- Live At
Montreux (CD)
-
Bobby Hutcherson - Live At Montreux:
tracks 1,2,4 (LP)
Probably more worthwhile from the standpoint of a Hutcherson fan, but
WS has some very good moments. Unfortunately, Bernard drops the form
of "Moontrane" during Woody's solo, and keeps playing the A section
with the first ending -- and throws Woody off. The band in general
sounds a little underrehearsed on the first two tracks. The previously
unreleased track "Farallone" is very good.
Wally Heider Recording Studio, LA; April 17-18, 1974
Bobby Hutcherson - vbs; Bill Henderson - p, el p; Kenneth Nash - perc; WS
- tp; Harold Land - ts, al fl; Emanuel Boyd - ts, al fl; Ray Drummond - b;
Larry Hancock - dr.
| 1. | Rosewood | (WS) | 7:35
|
| 2. | Even Later | | 9:55
|
| 3. | Wrong Or Right | | 7:29
|
| 4. | Zuri Dance | | 8:20
|
| 5. | Cirrus | | 7:16
|
-
Bobby Hutcherson -- Cirrus
In late 1974, Woody returned from San Francisco to New York City, lured by a
recording contract with Muse. After spending some of the early months of
1975 back in San Francisco, he settled in New York in about July of 1975.
NYC?; 1974?
Joe Newman, Snooky Young, Lloyd Michaels, Ray Copeland, WS - tp; Benny
Powell, George Jeffers, David Bargeron, John Gordon, Jack Jeffers, J.
Billy Ver Planck - tb; Kenny Burrell, Dave Spinosa, Arthur Bitker, Billy
Butler - g; Grady Tate, Herbie Lovelle - dr; Frank Owens, Frank Anderson -
p, org, "Rocksichord"; Chuck Rainey - b; Hubert Laws, Billy Mitchell,
Joseph Temperley, Chris Woods - sax.
| 1. | Evil Ways
|
| 2. | Midnight Hour
|
| 3. | Dock of the Bay
|
| 4. | I Can't Make It
|
| 5. | Big Foot Country
|
| 6. | Spinning Wheel
|
| 7. | Everyday People
|
| 8. | Come Together
|
| 9. | Get Back
|
| 10. | Honky Tonk Women
|
| 11. | Sugar Sugar
|
| 12. | Next Year's Blues
|
| 13. | Respect
|
| 14. | Thank You
|
| 15. | Funky Broadway
|
| 16. | No Money Blues
|
| 17. | Spoonful
|
| 18. | Susie Q
|
| 19. | Baby It's You
|
| 20. | One
|
| 21. | Journey To The Center Of The Mind
|
| 22. | Down On Me
|
-
various artists -- Screamin'
Mothers
Arranged and conducted by Ernie Wilkins.
"As you can see from the track listing, it's a very commercial
outing. The producer's bio takes up half of the liner notes.
But the personnel involved make it worth the $4 I paid for it." --
Thomas Ford Brown
?; September, 1974
Azar Lawrence - ss, ts; Jean Carn - voc; WS - tp; Woody Murray - vbs;
Clint Houston - b; Billy Hart - dr; Guilherme Franco - perc; Kenneth Nash
- perc; Ray Straughter - wd fl.
| 1. | Bridge Into The New Age | (Lawrence) | 6:45
|
| 2. | The Beautiful and Omnipresent Love | (Lawrence) | 10:07
|
-
Azar Lawrence -- Bridge Into New Age
"... distinctive melodies, rhythmic complexities, and energetic,
emotion blowing [sic] offering joyful and affirmative sensuality in
sound." -- from the Down Beat review by Mandel.
Blue Rock Studios, NYC; December 11 and 18, 1974
WS - tp; Steve Turre - tb; Azar Lawrence - ts, ss; Onaje Allan Gumbs - p,
el p; Cecil McBee - b (2,3,4,6,7); Buster Williams - b (1,5); Victor Lewis
- d; Guilherme Franco - perc (2,4,5,7); Tony Waters - perc (2,4,5,7).
| 1. | The Moontrane | (WS) | 6:54
|
| 2. | Sanyas | (Turre) | 13:05
|
| 3. | Tapscott's Blues | (Lawrence) | 6:41
|
| 4. | Katrina Ballerina | (WS) | 7:36
| [transcribed]
|
| 5. | Are They Only Dreams | (Gumbs) | 9:12
|
| 6. | Tapscott's Blues | (Lawrence) | 6:50
|
| 7. | Katrina Ballerina | (WS) | 8:01
|
-
Woody Shaw -- The Moontrane (CD)
-
Woody Shaw -- The Moontrane: tracks 1-5 (LP)
-
Woody Shaw -- Cassandranite: tracks 2,4
(see below)
-
Woody Shaw -- Dark Journey: tracks 1,2,4
"This is a collection of outstanding third- and fourth-generation
postbop journeymen curving toward individuality" -- from the Coda
review by Barry Temperman.
Some pressings of Cassandranite on the Muse label include track
2 above as track 6, mislabelled as Medina from Joe Chambers'
The Almoravid session; track 4 is also included as unlabelled
track 7.
New York; August 5, 7, 11, 14, 1975
WS - tp; Buster Williams - b, voc; Earl Turbinton - ss, bcl; Sonny Fortune
- ss, fl, afl; Onaje Allan Gumbs - kybd; Billy Hart - dr; Guilherme Franco
- perc; Suzanne Marcus - voc.
| 1. | Pinnacle
|
| 2. | Batuki | (Gumbs)
|
-
Buster Williams -- Pinnacle
Blue Rock Studio, NYC; November, 1975
WS - tp; Steve Turre - tb, b tb; Rene McLean - ss, as; Billy Harper - ts;
Joe Bonner - p; Cecil McBee - b; Victor Lewis - dr; Guilherme Franco -
perc; Tony Waters - cong.
| 1. | Love Dance | (Bonner) | 12:37
|
| 2. | Obsequious | (Young) | 9:28
|
| 3. | Sunbath | (Stern) | 6:33
|
| 4. | Zoltan | (WS) | 6:48
|
| 5. | Soulfully I Love You (Black Spiritual of Love) | (Harper)
| 8:13
|
-
Woody Shaw -- Love Dance
-
Woody Shaw -- Last of the Line
A spirited group that plays well together, and on some good material. Mostly
modal tunes, and one of his most "electric"-sounding (or
"seventies"-sounding) dates.
In late 1975, Woody began an association with the Louis Hayes/Junior Cook
Quintet. This band became the Louis Hayes/Woody Shaw Quintet when Junior
Cook left, replaced by Rene McLean. The band also featured Stafford James
and Ronnie Mathews. Woody left this band about mid-1977.
Generation Sound Studio, NYC; May 5, 1976
Louis Hayes - dr; Junior Cook - ts; WS - tp; Ronnie Mathews - p; Stafford
James - b; Guilherme Franco - perc.
| 1. | Ichi-Ban (Number One) | (Mathews) | 5:35
|
| 2. | Brothers and Sisters | (Allen) | 7:00
|
| 3. | The Moontrane | (WS) | 6:50
|
| 4. | Book's Bossa | (Booker) | 11:45
|
-
Louis Hayes/Junior Cook -- Ichi-Ban
A bit listless; the band doesn't seem to have "gelled" by this time.
"The Moontrane" ensembles, in particular, aren't up to par.
Blue Rock Studio, NYC; June 29, 1976
WS - tp; Frank Strozier - as; Ronnie Mathews - p; Stafford James - b;
Eddie Moore - dr.
-
Woody Shaw -- Little Red's Fantasy
A sizzler. Strozier's style has traces of a somewhat more conventional
post-bop style than the rest of the ensemble, but this author likes his
approach to the music. A few hiccups, such as the drum solo that
throws everyone off during "Tomorrow's". Some of the best performances
of some of Woody's best small group compositions.
Live at the Berlin Jazz Festival; November 6, 1976
WS - tp, perc; Rene McLean - as, fl, perc; Frank Foster - ts, ss, perc;
Slide Hampton - tb, perc; Ronnie Mathews - p; Stafford James - b; Louis
Hayes - dr.
| 1. | Hello To The Wind | (Chambers/McDaniels) | 17:27
|
| 2. | Obsequious | (Young) | 9:10
|
| 3. | Jean Marie | (Mathews) | 9:20
|
| 4. | In the Land of the
Blacks (Bilad As Sudan) | (McLean) | 12:24
|
-
Woody Shaw Concert Ensemble -- Live at the
Berliner Jazztage
-
Woody Shaw -- Two More Pieces of the Puzzle
A very good live set. The "trading fours" between Slide and WS, and
between McLean and Foster, on "Obsequious" is a highlight. WS sometimes
pays tributes to his fellow soloists when playing live; here, at the
beginning of "Jean Marie", he plays a trademarked Slide Hampton (or is it
J.J.?) lick.
Live at The Village Vanguard, NYC; December 11-12, 1976
Dexter Gordon - ts; WS - tp, flg; Stafford James - b; Ronnie Mathews - p;
Louis Hayes - dr.
| 1. | Gingerbread Boy | (Heath) | 13:50
|
| 2. | Little Red's Fantasy | (WS) | 12:48
|
| 3. | Fenja | (Gordon) | 12:48
|
| 4. | In Case You Haven't Heard | (WS) | 11:13
|
| 5. | It's You Or No One | (Cahn/Styne) | 14:03
|
| 6. | Let's Get Down | (Mathews) | 13:11
|
| 7. | 'Round Midnight | (Monk/Williams) | 13:13
|
| 8. | Backstairs | (Gordon) | 12:41
|
| 9. | Fried Bananas | (Gordon) | 14:34
|
-
Dexter Gordon -- Homecoming (CD)
-
Dexter Gordon -- Homecoming: tracks 1-8
(LP)
-
Dexter Gordon -- Best Of: track 7
Dex pretty much steals the show. Woody plays well -- very well at
times. The rhythm section is a little shaky in places. Some of the
solos are extended for a couple of choruses too many.
Woody made quite an impression with this record; it is said to have led
to his signing by Columbia Records.
?; 1976?
Ben Sidran; WS; Phil Upchurch; Richard Tee; David Fathead Newman; Sonny
Seals; Randy and Michael Brecker.
| 1. | New York State of Mind
|
-
Ben Sidran -- Free in America
live at Salle d'Epalinges, Lausanne, Sweden; February 4, 1977
WS - tp, flg; Rene McLean - ts, ss, fl; Ronnie Mathews - p; Stafford James
- b; Louis Hayes - dr.
| 1. | In Case You Haven't Heard | (WS) | 15:25
|
| 2. | Moontrane | (WS) | 15:39
|
| 3. | Contemplation | (Shorter) | 8:08
|
| 4. | Jean-Marie | (Mathews) | 13:35
|
| 5. | Bilad As Sudan | (McLean) | 19:16
|
-
Louis Hayes-Woody Shaw Quintet -- Swiss Radio
Days Vol. 5: Lausanne 1977
A good live set with the group Woody co-led with Louis Hayes.
Blue Rock Studio, NYC; April 6 and 13, 1977
WS - tp, cor, flg; Anthony Braxton - clar, as, ss; Arthur Blythe - as;
Muhal Richard Abrams - p; Cecil McBee - b; Joe Chambers - dr; Victor Lewis
- dr.
| 1. | Iron Man | (Dolphy) | 6:30
|
| 2. | Jitterbug Waltz | (Waller) | 8:26
|
| 3. | Symmetry | (Hill) | 8:24
|
| 4. | Diversion One | (WS/Abrams/McBee) | 2:55
|
| 5. | Song Of Songs | (WS) | 13:35
|
| 6. | Diversion Two | (WS/Abrams/McBee) | 2:52
|
-
Woody Shaw with Anthony Braxton -- The Iron
Men
-
Woody Shaw -- Two More Pieces of the Puzzle
-
Woody Shaw -- Dark Journey: track 2
Features Woody's playing in a "freer" context, including two completely
improvised trio pieces. Braxton, Blythe, and Abrams seem to bring out
hidden reserves of creativity in Woody; it's a shame he didn't record
more often in this company. All the musicians are brilliant.
Generation Sound Studios, NYC; April 7, 1977
WS - cor; Sonny Fortune - as, ss, fl, al fl, pclo; Kenny Barron - el p;
Gary King - el b; Jack DeJohnette - dr; Sammy Figueroa - perc; Rafael Cruz
- perc.
| 1. | Afro-Americans | (Fortune) | 7:26
|
| 2. | There's Nothing Smart about
Being Stupid | (Fortune) | 6:47
|
-
Sonny Fortune -- Serengeti
Minstrel
CI Recording Studios, NYC; May 20-21, 1977
Louis Hayes - dr; WS - tp; Rene McLean - ss, as, ts; Ronnie Mathews - p;
Stafford James - b; Slide Hampton - tb.
| 1. | St. Peter's Walk | (Allen) | 5:20
|
| 2. | Nisha | (Hayes) | 9:22
|
| 3. | Loose Suite | (Mathews) | 4:55
|
| 4. | My Gift To You | (James) | 7:00
|
| 5. | Jack's Tune | (McLean) | 5:14
|
| 6. | Marilyn's House | (Allen) | 5:15
|
-
Louis Hayes -- The Real Thing
A less-than-perfect performance, but one of the better outings with the
Hayes group.
In mid-1977, Woody switched from the Muse recording label to Columbia.
Around this time, Woody quit the group he co-led with Louis Hayes, eager to
form his own group that would reflect his style. Woody formed his first
working quintet featuring Carter Jefferson, Onaje Allan Gumbs, Clint Houston,
and Victor Lewis.
Sound Ideas, NYC; June 21-22, 1977
Dexter Gordon - ts, ss; WS - tp, flg; Benny Bailey - tp, flg; Slide
Hampton - tb; Wayne Andre - tb; Frank Wess - fl, as, pclo; Howard Johnson
- tba, b; Bobby Hutcherson - vbs; George Cables - p; Rufus Reid - b;
Victor Lewis - dr.
| 1. | Laura | (Raskin) | 7:38
|
| 2. | The Moontrane | (WS) | 6:35
|
| 3. | Red Top | (Hampton/Kynard) | 9:55
|
| 4. | Fried Bananas | (Gordon) | 7:52
|
| 5. | You're Blase | (Hamilton/Siever) | 9:50
|
| 6. | How Insensitive | (Jobim/Gimbel/deMoraes) | 4:55
|
-
Dexter Gordon -- Sophisticated
Giant
-
Dexter Gordon -- Best Of: track 1
Slide Hampton's arrangements are great, and the medium-size all-star
band is surprisingly tight. But the improvisation is only so-so.
?; June 27-29, 1977
Franco Ambrosetti - tp, flg; Jon Faddis, Palle Mikkelborg, WS, Kenny
Wheeler - tp, flg; Mike Zwerin - b tp; Isla Eckinger - b; Daniel Humair -
dr; George Gruntz - p, synth, el p.
| 1. | For Flying Out Proud! | (Ambrosetti) | 9:44
|
| 2. | Spring Song | (Gruntz) | 6:04
|
| 3. | Anticipation | (Ambrosetti) | 3:42
|
| 4. | Hot Diggety Damn! | (Ambrosetti) | 4:53
|
| 5. | Baal:Von Sonne Krank | (Gruntz) | 3:07
|
| 6. | Outfox No Kinxiwinx! | (Ambrosetti) | 3:56
|
| 7. | Faddis-Burger's Plunger-Fahrt | (Gruntz) | 6:07
|
| 8. | A Wheeler's Wings | (Gruntz) | 3:26
|
-
George Gruntz Trumpet Machine -- For Flying
Out Proud
Live at the Montreux Jazz Festival; July 24, 1977
Billy Cobham - dr; George Duke - kyb; Maynard Ferguson - tp; Eric Gale -
gtr; Stan Getz - ts; Benny Golson - ts; Dexter Gordon - ts; Bobbi Humphrey
- fl; Bob James - kyb; Alphonso Johnson - el b; Steve Khan - gtr; Hubert
Laws - fl, pclo; Ralph MacDonald - perc; Janne Schaffer - gtr; WS - tp;
Thijs van Leer - fl; Slide Hampton - tb; Greg Bowen - tp; Billy Brooks -
dr; Alan Downey - tp; Peter Erskine - dr; Clifford Holder - tp; Gordon
Johnson - el b; Stan Mark - tp; Bob Millitello - bs; Joe Mosello - tp;
Geoffrey P. Perkins - tb.
| 1. | Montreux Summit | (James) | 10:46
|
| 2. | Blues March | (Golson) | 25:59
|
| 3. | Fried Bananas | (Gordon) | 13:13
|
| 4. | Andromeda | (Chattaway) | 21:37
|
| 5. | The Moontrane | (WS) | 5:18
|
| 6. | Red Top | (Hampton/Kynard) | 4:44
|
-
various artists -- Montreux Summit volume
1: tracks 1-4
-
various artists -- Montreux Summit volume
2: tracks 5-6
-
various artists -- Montreux Summit vol. 2
Special Radio Edition: tracks 5-6
-
various artists -- Montreux Summit First
Divide: tracks 3, 5-6
An example of the problems with all-star conglomerations and the
showboating that jazz festivals encourage. The top-flight soloists,
such as Gordon, Getz, Hampton, and WS, still put in some fine work,
when the arrangements allow and when bandstand confusion doesn't step
on their efforts. George Duke is surprisingly bad on "Moontrane";
Ferguson predictably garish throughout; many of the rest demonstrate an
inability to play in straight-ahead settings, or even to blow a decent
blues chorus. [I could not review all tracks of this album due to a
warped vinyl copy.]
NYC; November, 1977
Jack Walrath - tp; WS - tp; Ricky Ford - ts; Paul Jeffrey - ts; Gerry
Mulligan - bs; Bob Neloms - p; Lionel Hampton - vbs; Charles Mingus - b;
Dannie Richmond - dr.
| 1. | Peggy's Blue Skylight | (Mingus) | 5:16
|
| 2. | Fables of Faubus | (Mingus) | 6:12
|
| 3. | Caroline Keikki Mingus | (Mingus) | 6:18
|
| 4. | Slop | (Mingus) | 5:05
|
| 5. | So Long Eric | (Mingus) | 4:32
|
| 6. | Farewell Farwell | (Mingus) | 5:59
|
| 7. | Just For Laughs PT. 1 | (Mingus) | 4:26
|
| 8. | Duke Ellington's Sound of Love | (Mingus) | 5:54
|
| 9. | Just For Laughs PT. 2 | (Mingus) | 2:35
|
-
Lionel Hampton -- The Music of Charles
Mingus
-
Lionel Hampton and Friends -- Rare Recordings vol.
1: tracks 4,5
-
Lionel Hampton -- Vintage Hampton: tracks
1,2
-
Charles Mingus -- The Sound Of Jazz
-
Charles Mingus -- His Final Work
-
Charles Mingus -- Charlie Mingus
-
various artists -- The Sound of Jazz: unknown
track numbers
Good performances by all, but this cannot really be considered a Mingus
opus (the original release was under Lionel Hampton's name). This
effort lacks the vitality the Mingus bands usually had.
CBS 30th Street Studio, NYC; December 15-19, 1977
WS - tp; Carter Jefferson - ts, ss; Joe Henderson - ts (1-2,4-6); Frank
Wess - fl, pclo (1-3); Art Webb - fl (1-4); James Vass - ss, as (1-4);
Steve Turre - tb, b tb (1-4); Janice Robinson - tb (1-3); Onaje Allan
Gumbs - p, el p; Clint Houston - b; Victor Lewis - dr; Sammy Figueroa -
cong (1-2); Armen Halburian - perc (1-2,4); Lois Colin - harp (1).
| 1. | The Legend of Cheops | (Lewis) | 6:04
|
| 2. | Rosewood | (WS) | 7:11
| [transcribed]
|
| 3. | Every Time I See You | (Gumbs) | 7:14
|
| 4. | Sunshowers | (Houston) | 7:48
|
| 5. | Rahsaan's Run | (WS) | 5:10
| [transcribed]
|
| 6. | Theme For Maxine | (WS) | 7:14
| [transcribed]
|
-
Woody Shaw -- Rosewood
-
The Complete CBS Studio Recordings of Woody Shaw
-
Woody Shaw -- The Best Of Woody Shaw: tracks
5, 6
Rosewood was voted Best Jazz Album of 1978 in the Down Beat
Reader's Poll (which also awarded Woody Best Jazz Trumpet of the Year and
#4 Jazz Musician of the Year). Much of this album is devoted to Woody's
Concert Ensemble, for which he has done some fine writing, but this writer
prefers the excellent small combo pieces.
Live at The Village Vanguard, NYC; August 5-6, 1978
WS - cor, flg; Carter Jefferson - ts, ss; Onaje Allan Gumbs - p; Clint
Houston - b; Victor Lewis - dr.
| 1. | Stepping Stone | | 8:35
| [transcribed]
|
| 2. | In A Capricornian Way | (WS) | 11:03
| [transcribed]
|
| 3. | It All Comes Back To You | (Gumbs) | 10:16
|
| 4. | Seventh Avenue | | 8:24
|
| 5. | Theme For Maxine | (WS) | :58
|
| 6. | Escape Velocity | | 11:07
|
-
Woody Shaw -- Stepping Stones (Live at the
Village Vanguard): tracks 1-5
-
Woody Shaw -- Woody III: track 6
-
Woody Shaw -- The Best Of Woody Shaw: tracks 1, 3
-
various artists -- Individuals: track 3
Very good, very hot performances by a band that plays well together.
MPS studios, Villingen, W. Germany; September 22-23, 1978
Earl Gardner, Americo Bellotto (2-3), Palle Mikkelborg, Benny Bailey (1),
Franco Ambrosetti, WS - tp, flg; Jimmy Knepper, Eje Thelin, Mike Zwerin,
Rune Eriksson - tb; Howard Johnson - tuba, bs, b clar; Jerry Dodgion - as,
ss, alto fl; Lew Tabackin - ts, fl; Alan Skidmore - ts, ss, fl; Bennie
Wallace - ts, ss; Lois Colin - harp; John Scofield - g; George Gruntz -
kybd; Mike Richmond - b; Elvin Jones - dr.
| 1. | Morning Song of a Spring Flower | (Gruntz) | 9:00
|
| 2. | Napoleon Blown Apart | (Ambrosetti) | 9:30
|
| 3. | Epitaph For A Friend | (On MPS 68290)
|
-
The George Gruntz Concert Jazz Band --
GG-CJB (MPS 0068.215, 0068.290)
-
The George Gruntz Concert Jazz Band - GG-CJB
(MPS 15.531): tracks 1,2
No solos by Shaw.
Zurich Schauspielhaus, Switzerland; October 1, 1978
Same personnel as for September 22-23 session, except add: Alan
Botchinsky - tp,flg.
| 1. | Destiny | (Perla) | 11:25
|
| 2. | Cinderella Friday Night | (van'tHof/Gruntz) | 12:14
|
-
The George Gruntz Concert Jazz Band --
GG-CJB
No solos by Shaw.
C & I Recording Studios, NYC; January 18-19, 1979
WS - cor, flg; Carter Jefferson - ts (1-3); James Spaulding - as, fl; Rene
McLean - as, ss, fl; Curtis Fuller - tb (1-3); Steve Turre - tb, b tb
(1-3); Charles Sullivan - tp (1-2); Onaje Allan Gumbs - p; Buster Williams
- b; Victor Lewis - dr; Azzedin Weston - cong, perc (1,3); Nobu Urushiyama
- perc (1,3).
-
Woody Shaw -- Woody III
-
The Complete CBS Studio Recordings of Woody Shaw
-
Woody Shaw -- The Best Of Woody Shaw: track 4
Sizzling performances of some of Woody's most impressive compositions.
CBS 52nd Street Studio B, NYC; January 24, 1979
WS - flg; George Cables - p; Buster Williams - b; Victor Lewis - dr.
-
Woody Shaw -- Woody III
-
The Complete CBS Studio Recordings of Woody Shaw
-
various artists -- Individuals
CBS Recording Studios, NYC; January 26, 1979
Dexter Gordon - ts; George Cables - p; Rufus Reid - b; Eddie Gladden - d;
Eddie Jefferson - voc; WS - tp; Curtis Fuller - tb.
| 1. | Diggin' In | (Gordon/Jefferson) | 4:52
|
| 2. | It's Only A Paper Moon | (Rose/Harburg/Arlen) | 5:08
|
-
Dexter Gordon -- Great Encounters
-
Dexter Gordon -- Sophisticated
Giant
Woody is allowed limited solo space: one chorus on both tunes, but
quite good choruses (it seems he often does well when on a limited time
budget). Cables makes a good teammate for Gordon.
Live at the Karl Marx Theatre, Havana, Cuba; March 3, 1979
Members of the CBS Jazz All Stars: Dexter Gordon, Stan Getz, Jimmy Heath -
ts; Arthur Blythe - as; WS - tp; Hubert Laws - fl; Bobby Hutcherson - vbs;
Cedar Walton - p; Percy Heath - b; Tony Williams - dr; Willie Bobo - perc.
| 1. | Project 'S' | (Heath) | 8:36
|
| 2. | Sounds for Sore Ears | (Heath) | 9:50
|
-
various artists -- Havana Jam:
track 1
-
various artists -- Havana Jam 2:
track 2
Live at The Monterey Jazz Festival, Monterey, CA; September 15, 1979
The Young Thundering Herd big band with: WS - tp; Dizzy Gillespie - tp;
Slide Hampton - tb.
| 1. | Woody 'N You | (Gillespie) | 8:11
|
| 2. | Manteca | (Gillespie/Fuller/Pozo) | 8:56
|
-
Woody Herman -- Woody and Friends
-
Woody Herman -- Concord Years: track 1
Woody's two "trumpet battles" with Dizzy stray somewhat into the usual
territory: loud, high, and flashy. Dizzy's chops aren't up to this;
Woody lacks inspiration.
CBS 52nd Street Studio B, NYC; December 17-20, 1979; December 27, 1979;
January 4, 1980
WS - tp; Larry Willis - p; Stafford James - b; Victor Lewis - d; Carter
Jefferson - ts, ss (1-6); Curtis Fuller - tb (1-3,5-6); Gary Bartz - as
(1-3,5,7); James Spaulding - fl (1-2,5); Steve Turre - tb, b tb (1-2,7);
Nana Vasconcelos - perc, cong (1-2,5); Judi Singh - voc (1-2); Gayle Dixon
- vln (1,8); Winterton Garvey - vln (1,8); Maxine Roach - vla (1,8);
Veronica Salas - vla (1,8); Akua Dixon - cell (1,8); Richard Locker - cell
(1,8).
| 1. | Time Is Right | (Singh) | 4:25
|
| 2. | Why | (Lewis) | 4:47
|
| 3. | Joshua C. | (WS) | 7:10
|
| 4. | Teotihuacan | (James) | 7:10
|
| 5. | Isabel the Liberator | (Willis) | 8:25
|
| 6. | Ginseng People | (WS) | 5:28
|
| 7. | OPEC | (WS) | 5:22
|
| 8. | We'll Be Together Again | (Fischer/Laine) | 5:43
|
-
Woody Shaw -- For Sure!: tracks 1-3,
5-8
-
The Complete CBS Studio Recordings of Woody Shaw
-
Woody Shaw -- The Best Of Woody Shaw: tracks 7, 8
-
Woody Shaw -- Rosewood (CD): tracks 2, 3, 5
Some of the music is tame jazz/pop "with strings" and corny vocals.
"Time Is Right" and "Why" are unfortunate choices for release; the
substitution of "Teotihuacan", unreleased until the Mosaic box, would
have made For Sure! a much better album. There is some very
good music here, nonetheless. Both "OPEC" and "Joshua C." are
standouts.
Session location and date not listed
Dexter Gordon - ts; WS - tp; Cedar Walton - p; Percy Heath - b; Art
Blakey - dr.
| 1. | The Blues Walk (Loose Walk) | (Brown) | 8:17
|
-
Dexter Gordon -- Gotham City
Woody blows some pretty good blues choruses.
In late 1980, Woody formed his second working quintet, featuring Steve Turre,
Mulgrew Miller, Stafford James, and Tony Reedus. This group disbanded in
July, 1983.
Right Track Studios, NYC; March 7, 9, 17, 1981
WS - tp, flg; Steve Turre - tb; Mulgrew Miller - p; Stafford James - b;
Tony Reedus - dr; Gary Bartz - as.
| 1. | United | (Shorter) | 5:19
|
| 2. | The Greene Street Caper | (WS) | 5:28
|
| 3. | What Is This Thing Called Love? | (Porter) | 9:40
| [transcribed]
|
| 4. | Pressing The Issue | (Miller) | 7:02
|
| 5. | Katrina Ballerina | (WS) | 5:37
|
| 6. | Blues For Wood | (WS/Mathews) | 7:18
|
-
Woody Shaw -- United
-
The Complete CBS Studio Recordings of Woody Shaw
A few small flaws, but this is more than compensated for by the
inspired playing, above all by WS, over great tunes. This recording
heralds the return to a more straight ahead style with the new quintet.
His last album as a leader for Columbia.
In about 1982, Woody's association with the Columbia recording label ended,
and Woody followed CBS records president Bruce Lundvall to Elektra Musician.
Vanguard Studios, NYC; January 7, 1982
WS - tp; Steve Turre - tb; Mulgrew Miller - p; Stafford James - b; Tony
Reedus - dr.
| 1. | Eastern Joy Dance | (Miller) | 9:41
|
| 2. | Game | (James) | 6:42
|
| 3. | Lotus Flower | (Turre) | 7:01
|
| 4. | Rahsaan's Run | (WS) | 8:02
| [transcribed]
|
| 5. | Song of Songs | (WS) | 11:25
|
-
Woody Shaw -- Lotus Flower
Very good at times. Some very nice originals contributed by quintet
members.
Live at The Jazz Forum, NYC; February 25, 1982
WS - tp, flg; Steve Turre - tb; Mulgrew Miller - p; Stafford James - b; Tony
Reedus - dr; Bobby Hutcherson - vbs.
| 1. 400 Years Ago Tomorrow | (Davis) | 10:29
|
| 2. Diane | (Rapee/Pollack) | 10:26
|
| 3. Misterioso | (Monk) | 17:16
|
| 4. Sweet Love of Mine | (WS) | 9:42
|
| 5. Orange Crescent | (Turre) | 11:33
|
| 6. To Kill A Brick | (WS) | 11:30
|
| 7. Apex | (Miller) | 10:50
|
| 8. All The Things You Are | (Kern/Hammerstein) | 12:58
|
-
Woody Shaw -- Master of the Art: tracks
1-4
-
Woody Shaw -- Night Music: tracks 5-8
-
various artists -- Musician's Guide vol.
2: track 3
Master of the Art is fairly good, but uneven. Woody's solo on
"Misterioso" is a standout.
Night Music sounds like performances not originally deemed
worthy of inclusion on Master of the Art. The energy level of
the entire band is very low. Not recommended. Woody himself admits he
is not particularly proud of either of these albums in a Coda
interview: "some of the cuts were really not worthy of release".
Live at the Playboy Jazz Festival; June 19-20, 1982
Dexter Gordon - ts; WS - tp; Kirk Lightsey - p; David Eubanks - b; Eddie
Gladden - dr.
| 1. | Fried Bananas | (Gordon) | 6:02
|
| 2. | You've Changed | (Fischer/Carey) | 6:32
|
-
various artists -- The Playboy Jazz
Festival 1982
Not really worthwhile from the standpoint of a WS afficionado.
"Bananas" is taken at a pace that seems slightly uncomfortable for the
group. "Changed" is a feature for Dex.
Van Gelder Studio, Englewood Cliffs, NJ; December 7-8, 1982
Benny Golson - ts; Freddie Hubbard - tp, flg; WS - tp; Kenny Barron - p;
Cecil McBee - b; Ben Riley - dr.
| 1. | I'll Remember April | (Raye/Johnston/DePaul) | 7:57
|
| 2. | Time Speaks | (Golson) | 10:24
|
| 3. | No Dancin' | (Golson) | 6:58
|
| 4. | Jordu | (Jordan) | 10:35
|
| 5. | Blues For Duane | (Hubbard) | 5:12
|
| 6. | Theme For Maxine | (WS) | 8:17
|
-
Benny Golson -- Time Speaks (Dedicated to
the Memory of Clifford Brown)
The chemistry in the combination of Hubbard and WS that led them to
record "Double Take" is also in evidence here. These two are at their
best when they're not lapsing into the usual high note battles endemic
to trumpet pairings. Golson plays fairly well, but isn't at his peak.
The LP and CD releases are listed separately above because the original
LP release was under Golson's name, while the CD release gives equal
billing to all the performers.
Live at "Osteria Delle Dame", Bologna; January 1, 1983
WS - tp; Steve Turre - tb, cshel; Mulgrew Miller - p; Stafford James - b;
Tony Reedus - dr.
| 1. | From Moment to Moment | (WS) | 11:54
|
| 2. | Time Is Right | (Singh) | 11:56 | [credited to WS]
|
| 3. | You and the Night and the Music | (Schwartz/Dietz) | 12:06
|
| 4. | We'll Be Together Again | (Fischer/Laine) | 10:21
|
-
Woody Shaw -- Time Is Right
Some fine moments, but there's a general lack of "spark". The more
"straight-ahead" treatments and lack of strings and vocals on "Time Is
Right" and "We'll Be Together Again" do make for pleasant contrast with
the For Sure! versions. Turre pulls out his conch shells on
"Time", which some might find an annoying gimmick.
The Detroit Institute of the Arts; Aug. 26, 1983 (although the liner notes
mention "1984")
Roy Brooks - dr, perc; WS - tp.
| 1. | Elegy for Eddie Jefferson | (WS/Brooks) | 12:06
|
| 2. | Jeffuso | (WS/Brooks) | 2:27
|
-
Roy Brooks -- Duet In Detroit
-
various artists -- Trumpets in Modern
Jazz: track 2
Creative improvisation with minimal song structure. In the tradition
of Woody's The Iron Men but not as "modern". -- Mark Goldstein
Two completely improvised pieces in an instrumentation you don't hear
too often. The rest of the album consists of duets with pianists Randy
Weston, Don Pullen, and Geri Allen.
Van Gelder Studio, Englewood Cliffs, NJ; December 1, 1983
WS - tp, flg; Cedar Walton - p; Buster Williams - b; Victor Jones - dr.
| 1. | There Is No Greater Love ( | Jones/Symes)
|
| 2. | All The Way
|
| 3. | Spiderman Blues
|
| 4. | The Touch Of Your Lips
|
| 5. | What's New | (Haggart/Burke)
|
| 6. | When Love Is New
|
-
Woody Shaw -- Setting Standards
-
Woody Shaw -- Dark Journey: track 3
Van Gelder Studios, Englewood Cliffs, NJ; December 28, 1984
Kenny Garrett - as; WS - tp, flg; Mulgrew Miller - p; Nat Reeves - b; Tony
Reedus - dr.
| 1. | For Openers | (Garrett) | 6:20
|
| 2. | Have You Met Miss Jones | (Rodgers/Hart) | 9:10
|
| 4. | Blues In The Afternoon | (Miller) | 3:54
|
| 5. | Oriental Tow-Away Zone | (Garrett) | 4:27
|
| 6. | Until Tomorrow | (Garrett) | 8:42
|
| 7. | Reedus' Dance | (Garrett) | 6:03
|
-
Kenny Garrett -- Introducing Kenny
Garrett
By this time, Woody is playing in the more lyrical style characteristic
of his later years. Good performances by all, especially Garrett.
Live at Town Hall, NYC; February 22, 1985
McCoy Tyner - p; Jackie McLean - as; WS - tp; Cecil McBee - b; Jack
DeJohnette - dr.
| 1. | Appointment In Ghana | (McLean) | 7:05
|
| 2. | Passion Dance | (Tyner) | 7:45
|
| 3. | Blues On The Corner | (Tyner) | 7:09
|
-
various artists - One Night With Blue Note
Preserved volume 2
-
various artists -- The Jazz Event of the Decade
- One Night With Blue Note Preserved - specially selected airplay
tracks: track 2
It's interesting to hear the 60's collaborators back together, even if
no real sparks fly. Everyone is in good form.
Studio 44, Monster, Holland; April 3, 1985
WS - tp, flg; Tone Jansa - ts, as, fl; Renato Chicco - p; Peter Herbert -
b; Dragan Gajic - dr.
| 1. | Midi | (Jansa) | 5:52
|
| 2. | Boland | (Jansa) | 5:48
|
| 3. | Call Mobility | (Jansa) | 7:37
|
| 4. | River | (Jansa) | 8:15
|
| 5. | Folk Song | (Jansa) | 4:44
|
| 6. | May | (Jansa) | 8:18
|
-
Woody Shaw -- Woody Shaw with the Tone Jansa
Quartet
Woody's later collaboration with Jansa, Dr. Chi, is much more
satisfying, both in improvisation and in Jansa's originals. Jansa's
quartet is talented, but most everything sounds perfunctory.
Sonet Studios, Stockholm; July 3, 1985
WS - tp; Dizzy Reece - tp; Slide Hampton - tb; Johnny Griffin - ts; Nathan
Davis - ts, ss, fl; Kenny Drew - p; Jimmy Woode - b; Billy Brooks - dr.
| 1. | Klook's Theme | (Davis) | 8:07
|
| 2. | Sweet Love of Mine | (WS) | 6:21
|
| 3. | The Burner | (Reece) | 7:42
|
| 4. | Waltz | (Hampton) | 8:55
|
| 5. | Callitwhachawanna | (Griffin) | 8:21
|
-
The Paris Reunion Band -- French
Cooking
A probably under-rehearsed band with intonation problems that doesn't do
justice to some rather good charts.
Van Gelder Studio, Englewood Cliffs, NJ; November 21-22, 1985
Freddie Hubbard - tp; WS - tp; Kenny Garrett - as; Mulgrew Miller - p;
Cecil McBee - b; Carl Allen - dr.
| 1. | Sandu | (Brown) | 4:26
|
| 2. | Boperation | (Navarro/McGhee) | 4:51
|
| 3. | Lament For Booker | (Hubbard) | 6:19
|
| 4. | Hub * Tones | (Hubbard) | 6:18
|
| 5. | Desert Moonlight | (Morgan) | 7:59
|
| 6. | Just A Ballad For Woody | (Trainello/Shaw) | 5:26
|
| 7. | Lotus Blossom | (Dorham) | 8:12
|
-
Freddie Hubbard and Woody Shaw -- Double
Take
-
Freddie Hubbard and Woody Shaw - The Freddie
Hubbard-Woody Shaw Sessions
A meeting between these two trumpet giants devoted to the history of
bop trumpet. Both Freddie and Woody are in fine form, "battling" over
ideas rather than chops. This session has the edge over their later
collaboration that produced "The Eternal Triangle".
In the trivia department, the liner notes claim Lee Morgan's "Desert
Moonlight" is based on a 19th-century Japanese children's song. The
Japanese children's song, translated as "Moonlit Desert", was written
in 1923 with music by Suguru Sasaki and words by Masao Kato, according
to 101 Favorite Songs Taught in Japanese Schools, edited by
Ichiro Nakano.
Live at Baker's Keyboard Lounge, Detroit; February 26-27, 1986
WS - tp; Geri Allen - p; Robert Hurst - b; Roy Brooks - dr.
| 1. | Bemsha Swing | (Monk/Best) | 10:29
|
| 2. | Ginseng People | (WS) | 12:06
|
| 3. | Well You Needn't | (Monk) | 14:34
|
| 4. | United | (Shorter) | 11:39
|
| 5. | Nutty | (Monk) | 13:08
|
| 6. | In a Capricornian Way | (WS) | 15:40
|
| 7. | Star Eyes | (Raye/DePaul) | 15:38
|
-
Woody Shaw -- Bemsha Swing
A jam-session-like date, heavy on Monk tunes. Geri Allen shines.
Van Gelder Studio, Englewood Cliffs, NJ; March 24, 1986
WS - tp; Kenny Garrett - as; Peter Leitch - gtr; Kenny Barron - p; Neil
Swainson - b; Victor Jones - dr.
| 1. | There Will Never Be Another You | (Gordon/Warren)
| 6:55 | [transcribed]
|
| 2. | You Stepped Out Of A Dream | (Brown/Kahn)
| 5:29 | [transcribed]
|
| 3. | Speak Low | (Nash/Weill)
| 8:55 | [transcribed]
|
| 4. | Solid | (Rollins)
| 4:39
|
| 5. | It Might As Well Be Spring | (Hammerstein/Rodgers)
| 10:00
|
| 6. | The Woody Woodpecker Song | (Idriss/Tibbles)
| 3:42
|
-
Woody Shaw -- Solid
-
Woody Shaw -- Dark Journey: tracks 3,6
A good example of Woody's later-period lyrical style.
Radio Ljubljana, Yugoslavia; July 27-28, 1986
WS - tp, flg; Tone Jansa - ts, ss; Renato Chicco - p; Peter Herbert - b;
Alexander Deutsch - dr.
| 1. | Dr. Chi | (WS) | 15:15
|
| 2. | Odra | (Jansa) | 8:03
|
| 3. | Stroll and Flight | (Jansa) | 12:30
|
| 4. | Nostalgia | (Jansa) | 3:45
|
| 5. | Chain | (Jansa) | 8:47
|
| 6. | Zoltan | (WS) | 8:35
|
-
Tone Jansa Quartet featuring Woody Shaw -- Dr.
Chi
Very good performances, mostly on fine Jansa originals. Jansa's
quartet is a cooker.
Live at the Mt. Fuji Jazz Festival; August 30-31, 1986
Freddie Hubbard - tp (1,2); WS - tpt; Kenny Garrett - as (1,2); Jackie
McLean - as (3,4); Cedar Walton - p; Buster Williams - b; Billy Higgins -
dr.
| 1. | Desert Moonlight | (Morgan)
|
| 2. | Misty | (Garner)
|
| 3. | Cool Struttin' | (Clark)
|
| 4. | Sonny's Crib | (Clark)
|
-
Freddie Hubbard/Woody Shaw Sextet -- Mt. Fuji
Jazz Festival '86 with Blue Note
-
Jackie McLean/Woody Shaw Quintet -- Mt. Fuji
Jazz Festival '86 with Blue Note
Live at The Village Vanguard, NYC; September 16, 1986
WS - tp, flg; Charlie Rouse - ts, fl; Mal Waldron - p; Reggie Workman - b;
Ed Blackwell - dr.
| 1. | Status Seeking | (Waldron) | 20:19
|
| 2. | The Git Go | (Waldron) | 25:31
|
| 3. | Snake Out | (Waldron) | 17:19
|
| 4. | Judy | (Waldron) | 12:42
|
| 5. | The Seagulls of Kristiansund | (Waldron) | 26:02
|
-
Mal Waldron Quintet -- The Git Go:
tracks 1-2
-
Mal Waldron Quintet -- The Seagulls of
Kristiansund: tracks 3-5
Penguin heaps praise on Seagulls, but to these ears the
performance "has its ups and downs". Some of the solos sound extended
for a bit too long, repeating ideas several times; Woody is
particularly guilty of this. Git Go is less remarkable.
Live at The Village Vanguard, NYC; September ~16, 1986?
WS - tp, flg; Charlie Rouse - ts, fl; Mal Waldron - p; Reggie Workman - b;
Ed Blackwell - dr.
| 1. | The Git Go | (Waldron) | 21:05
|
| 2. | All Alone | (Waldron) | 17:35
|
| 3. | Fire Waltz | (Waldron) | 19:18
|
-
Mal Waldron and Friends -- Live at the
Village Vanguard vol. 4
These would seem to be from the same series of dates as the
"Git-Go/Seagulls of Kristiansund" albums, but the copyright date is
1984. The recording was part of the 50th anniversary celebration of
the Village Vanguard.
WS moved to Europe at some time during the last few years of his life, living
in Bern, Switzerland, and in Amsterdam. He taught at several jazz schools
and toured with various jazz bands in Europe.
Sonet Studios, Stockholm; October 23-24, 1986
WS - tp; Nat Adderley - tp; Joe Henderson - ts; Nathan Davis - ts; Grachan
Moncur III - tb; Kenny Drew - p; Jimmy Woode - b; Idris Muhammad - dr.
| 1. | Work Song | (Adderley) | 8:25
|
| 2. | For Klook | (Drew) | 5:49
|
| 3. | The Man from Potter's Crossing | (Woode) | 4:48
|
| 4. | Jamaican Hot Nights | (Davis) | 10:36
|
| 5. | Gaby | (Hennessey) | 7:41
|
| 6. | Locksley | (Hampton) | 4:45
|
-
Paris Reunion Band -- For Klook
None of the musicians are in top form; Nat Adderley, in particular, has
chops problems. Most of the original compositions are unremarkable.
Live at Bazillus Zurich; February 7, 1987
Live at Muhle Hunziken Bern; February 8, 1987
WS - tp; Fred Henke - p; Neil Swainson - b; Alex Deutsch - dr.
| 1. | The Organ Grinder | (WS) | 8:29
|
| 2. | In Your Own Sweet Way | (Brubeck) | 8:29
|
| 3. | The Dragon | (Henke) | 8:43
|
| 4. | Just a Ballad for Woody | (Trainello) | 9:59
|
| 5. | Sippin' At Bells | (Davis) | 7:18
|
| 6. | Estate | (Martino) | 5:16
|
| 7. | Joshua C. | (WS) | 13:32
|
-
Woody Shaw Quartet -- In My Own Sweet Way
-
various artists -- Jazz Unlimited: track
5
Among Woody's best. The entire quintet plays beautifully; all the
ideas seem fresh. Every track is a gem.
Studio 306, Toronto, Canada; May, 1987
Neil Swainson - b; Jerry Fuller - dr; Joe Henderson - ts; WS - tp, flg;
Gary Williamson - p
| 1. | 49th Parallel | (Swainson) | 8:41
|
| 2. | Port of Spain | (Swainson) | 5:09
|
| 3. | Southern Exposure | (Swainson) | 7:14
|
| 4. | On The Lam | (Swainson) | 5:46
|
| 5. | Homestretch | (Henderson) | 6:15
|
-
Neil Swainson -- 49th Parallel
A good release. The liner notes claim this is Woody's final studio
recording date, but it cannot be unless the credits are misprinted.
Van Gelder Studios, Englewood Cliffs, NJ; June 11-12, 1987
Freddie Hubbard - tp; WS - tp; Kenny Garrett - as; Mulgrew Miller - p; Ray
Drummond - b; Carl Allen - dr.
| 1. | Down Under | (Hubbard) | 7:35
|
| 2. | The Eternal Triangle | (Stitt) | 7:47
|
| 3. | The Moontrane | (WS) | 6:28
|
| 4. | Calling Miss Khadija | (Morgan) | 6:38
[transcribed]
|
| 5. | Nostrand and Fulton | (Hubbard) | 6:09
|
| 6. | Tomorrow's Destiny | (WS) | 7:04
|
| 7. | Sao Paulo | (Dorham) | 8:10
|
| 8. | Reets and I | (Harris) | 6:41
|
-
Freddie Hubbard and Woody Shaw -- The
Eternal Triangle (CD)
-
Freddie Hubbard and Woody Shaw -- The Eternal
Triangle (LP): tracks 1-6
-
Freddie Hubbard and Woody Shaw -- The Freddie
Hubbard-Woody Shaw Sessions
Another pairing focused on the trumpet tradition without undue emphasis
on bravura. Some of the enthusiasm of their earlier collaboration that
produced "Double Take" is missing here, but each trumpeter has his
moments.
Van Gelder Studios, New Jersey; June 24, 1987
WS - tp; Steve Turre - tb; Kirk Lightsey - p; Ray Drummond - bass; Carl
Allen - dr.
| 1. | If I Were A Bell | (Loesser) | 5:21
| [transcribed]
|
| 2. | Imagination | (Van Huesen/Burke) | 7:24
|
| 3. | Dat Dere | (Timmons) | 8:08
|
| 4. | You and the Night and the Music
| (Schwartz/Dietz) | 5:59
| [transcribed]
|
| 5. | Stormy Weather | (Arlen/Koehler) | 7:55
|
| 6. | Steve's Blues | (Turre) | 4:46
|
-
Woody Shaw -- Imagination
-
Woody Shaw -- Dark Journey: tracks 2,3
Like earlier albums Solid and In My Own Sweet Way, this
release contains excellent examples of the lyricism of Woody's style in
later years, particularly on track "Imagination". Very well played,
with a dynamite rhythm section.
Friedrichstadtpalast, Berlin; June 4, 1988
Nat Adderley - tp; WS - tp; Curtis Fuller - tb; Nathan Davis - sax; Joe
Henderson - sax; Walter Bishop Jr. - p; Jimmy Woode - b; Idris Muhammad -
dr.
| 1. | Hot Licks | (Davis) | 5:24
|
| 2. | Rue Chaptal | (Clarke) | 10:05
|
| 3. | Bags Groove | (Jackson) | 6:31
|
| 4. | Work Song | (Adderley) | 6:55
|
| 5. | Sweet Love of Mine | (WS) | 8:18
|
-
Paris Reunion Band -- Jazz Buhne Berlin
1988
Live at the North Sea Jazz Festival; July 9, 1988
Carlos Ward - as, fl; WS - tp; Walter Schmocker - b; Alex Deutsch - dr.
| 1. | Lito (i, ii, iii) | (Ward) | 24:28
|
| 2. | Pettiford Bridge | (Ward) | 7:42
|
| 3. | Lee | (Ward) | 13:05
|
| 4. | First Love | (Ward) | 5:23
|
| 5. | Sundance | (Ward) | 7:38
|
-
Carlos Ward Quartet featuring Woody Shaw --
Lito
Good playing, especially by Ward, over some funky charts. There seems
to be some disagreement among the musicians about the form of the title
track; it sounds like you can hear the soloists registering displeasure
with the bassist at a couple of unexpected or overdue chord changes.
Woody is at his best playing figures behind Ward's solos.
Live at Theaterhaus, Stuttgart, W. Germany; summer, 1988
WS - tp; Joe Henderson - ts; Curtis Fuller - tb; Nathan Davis - ts, ss;
Nat Adderley - tp; Idris Muhammad - dr; Walter Bishop, Jr. - p; Jimmy
Woode - b
| 1. | Tune Down | (Drew)
|
| 2. | Work Song | (Adderley)
|
| 3. | The Man from Potter's Crossing | (Woode)
|
| 4. | Hot Licks | (Davis)
|
| 5. | Sweet Love of Mine | (WS)
|
-
Paris Reunion Band -- Live at Theaterhaus,
Stuttgart, W. Germany
A good concert; the best from the PRB I've heard.
Woody fell ill in 1988 and moved back to the US. Woody died of kidney
failure on May 10, 1989 at Bellevue Hospital in New York City. He was
survived by his father, Woody Shaw Sr., his mother, Rosalie, his 10-year-old
son, Woody Louis Armstrong Shaw III, and two brothers and a sister.
Discography by Album Release
The entries below are arranged in alphabetical order of the name of the
leader under whose name the release is credited. For each leader, the
entries are further arranged in alphabetical order of the album name.
Jump to releases for artist last name starting with letter:
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
(or various artists)
Jump to releases credited to Woody Shaw
- Bartz, Gary Ntu Troop -- Home!; Milestone MSP 9027, ~1970 (LP)
-
Live at the Left Bank Jazz Society, Baltimore, MD; March 30, 1969
- Walter Bishop, Jr. -- Coral Keys; Black Jazz B/J 2, 1971 (LP)
-
?; 1970-1971?
- Blakey, Art -- And The Jazz Messengers, vol. 1 - Child's Dance;
Prestige PRCD 24130-2, 1994 (CD)
-
Van Gelder Studios, Englewood Cliffs, NJ; July 28, 1972
-
Fantasy Studios, Berkeley, CA; March 26-29, 1973
-
Repackages album Child's Dance and part of
Anthenagain.
- Blakey, Art -- And The Jazz Messengers, vol. 2 - Mission Eternal;
Prestige PRCD-24159-2, 1995 (CD)
-
Fantasy Studios, Berkeley, CA; March 26-29, 1973
-
***
-
Repackages album Buhaina and part of Anthenagain.
- Blakey, Art -- Anthenagain; Prestige 10076, 1974 (LP)
-
Fantasy Studios, Berkeley, CA; March 26-29, 1973
-
AMG ****1/2
- Blakey, Art -- Buhaina; Prestige 10067, 1973 (LP)
-
Fantasy Studios, Berkeley, CA; March 26-29, 1973
-
AMG ***
- Blakey, Art -- Child's Dance; Prestige 10047, 1972? (LP)
- Blakey, Art -- And The Jazz Messengers, vol. 1 - Child's Dance;
Prestige PRCD-24130-2, 1994 (CD)
-
Van Gelder Studios, Englewood Cliffs, NJ; July 28, 1972
-
***(*); Penguin **(*); AMG ***
- Blakey, Art -- The History of Art Blakey and the Jazz Messengers;
Blue Note CDP 7 97190 2, 1991 (3CD)
-
Fantasy Studios, Berkeley, CA; March 26-29, 1973
-
AMG ****1/2
-
A "sampler" album of various Blakey groups.
- Blakey, Art -- Mellow Blues; Moon MCD 032-2, 1991 (CD)
-
Live in New Jersey (probably Rutgers University); April 15, 1969
-
***; Penguin (***)
This doubly inappropriately titled album consists of bootleg-quality
recordings probably taken from a broadcast of a performance at Rutgers
University.
- Brooks, Roy -- Duet In Detroit; Enja 7067, 1993 (CD)
-
The Detroit Institute of the Arts; Aug. 26, 1983
-
***(*); Penguin ***(*); AMG ****
- Brooks, Roy -- The Free Slave; Muse 5003 (LP); 32Jazz 32???, 1998
(CD)
-
Live at the Left Bank Jazz Society, Baltimore, MD; April 26, 1970
-
AMG ****
- Chambers, Joe -- The Almoravid; Muse MR 5035 (LP)
-
Sound Idea Studio, NYC; February 10, 1971
-
Down Beat **** (2/75); AMG ****
-
Reviewed in Down Beat, February 13, 1975, by Metalitz.
-
"Joe Chambers is a refreshing reminder that the drum set can be a
fount of shade and subtlety as well as a source of raw power... Medina
is a standout, due in large part to Woody Shaw." -- from the Down
Beat review by Metalitz
- Corea, Chick, et al -- Chick Corea, Herbie Hancock, Keith Jarrett, McCoy
Tyner; Atlantic 1696, 1976 (LP); 1696-2 (CD)
-
Atlantic Recording Studios, NYC; November 30 & December 1, 1966
-
AMG ***
- Corea, Chick -- Before Forever; Pickwick QJ-25011, 1978 (LP)
-
New York; June 30, 1969
-
A release of various early Corea sessions.
- Corea, Chick -- Best Of Chick Corea, The; Blue Note
777-7-89282-2-5, 1993 (CD)
-
Atlantic Recording Studios, NYC; November 30 & December 1, 1966
- Corea, Chick -- Chick Corea (Blue Note Reissue Series); Blue Note
BN LA395-H2, 1975 (LP)
-
New York; June 30, 1969
- Corea, Chick featuring Lionel Hampton -- Chick Corea featuring Lionel
Hampton; Chiaroscuro CR 2021, 1980 (LP)
-
New York; June 30, 1969
- Corea, Chick -- Early Days; LRC CDC 7969, 1989 (CD); Denon 33C38
7969 (CD)
-
New York; June 30, 1969
-
**(*); Penguin **(*)
-
A release of various early Corea sessions.
- Corea, Chick -- Inner Space; Atlantic SD 2-305 (LP); Atlantic 2-305-2, 1988 (CD)
-
Atlantic Recording Studios, NYC; November 30 & December 1, 1966
-
***(*); AMG *****
- Corea, Chick -- Is; Solid State (United Artists) SS 18055 (LP)
-
New York; June 30, 1969
-
**
-
A release of various early Corea sessions.
- Corea, Chick -- Jazzman; CBS 51-West Q16078, 1979 (LP)
-
New York; June 30, 1969
-
A release of various early Corea sessions.
- Corea, Chick -- Sundance; Groove Merchant GM 530 (LP); GM 2202
(LP); CD 2625092, 1990 (CD)
-
New York; June 30, 1969
-
AMG *1/2
-
A release of various early Corea sessions.
- Corea, Chick and Longo, Mike -- Piano Giants; Groove Merchant
GM-4406, 1974 (LP); GM 520; GM 3300
-
New York; June 30, 1969
- Corea, Chick -- Tones for Joan's Bones; Vortex 2004, 1968 (LP)
-
Atlantic Recording Studios, NYC; November 30 & December 1, 1966
-
AMG ****1/2
- Cowell, Stanley -- Brilliant Circles; Arista-Freedom 1009, 1975
(LP); Freedom TKCB-70387, 1994 (CD)
-
Olmsted Sound Studios, NYC; September 25, 1969
-
****; AMG ****
- Davis, Nathan -- Happy Girl; Saba G SB15025N (LP); MPS CRM 602
(LP); MPS 15.025 (LP)
-
Villingen, Black Forest, Germany; January 30, 1965
Released in France on the Privilege label (LP).
-
****
- Davis, Nathan -- The Nathan Davis Sextet; EPM FDC 5529, 1990 (CD)
-
Studio de la Comedie des Champs-Elysees, Paris; May 7, 1965
-
***
Rerelease of Peace Treaty.
- Davis, Nathan -- Peace Treaty; SFP 10.003 (LP mono)
-
Studio de la Comedie des Champs-Elysees, Paris; May 7, 1965
Rereleased on The Nathan Davis Sextet.
- Davis, Nathan -- Two Originals; MPS 539 082-2, 1998 (CD)
-
Villingen, Black Forest, Germany; January 30, 1965
Rerelease of Happy Girl and another album
named The Hip Walk (sans WS).
- Dolphy, Eric -- Conversations; Celluloid CELL 5014, 1986 (LP);
Restless 7 72660-2, 1986 (CD); Fred Miles FM-308; VeeJay VJLP2503;
Fontana (C) 688.521ZL; Exodus EX6005; Joy 116; DJM 22041; Epitaph
E-4010; Affinity AFF47; Tobacco Road B2536; Trip TLP5012; Teichiku
KUX-53, ULS-1655; RCA (VeeJay) RJL-2662, RJL-6003 (CD)
-
Music Makers, Inc.; May-June, 1963
-
***(*); AMG ***
- Dolphy, Eric -- Everest Archives of Folk and Jazz; Everest FS227
(LP)
-
Music Makers, Inc.; May-June, 1963
- Dolphy, Eric -- Iron Man; Celluloid CELL 5015, 1986 (LP); CELCD
5015, 1986 (CD); Westwind 2057 (CD)
-
Music Makers, Inc.; May-June, 1963
-
***(*); Penguin **(*); AMG ***
-
Original release of Iron Man was Douglas SD785, according to
Penguin.
- Dolphy, Eric -- Jitterbug Waltz; Douglas ADLP 6002, 1976 (2LP)
-
Music Makers, Inc.; May-June, 1963
-
AMG *****
- Dolphy, Eric -- Memorial Album; Vee Jay FHCY-1018 (CD)
-
Music Makers, Inc.; May-June, 1963
- Dolphy, Eric -- Music Matador; LeJazz CD 14, 1993 (CD)
-
Music Makers, Inc.; May-June, 1963
- Ervin, Booker -- Back From The Gig (Blue Note Reissue Series);
BN-LA488-HZ, 1976 (LP)
-
Van Gelder Studio, Englewood Cliffs, NJ; May 24, 1968
-
AMG ****1/2
-
"Definite ****(*) in my view." -- Matt Schofield
-
"Recorded 5/24/68, not released till here; note that cover says 6/24,
but I go with the Cuscuna-Ruppli discography, especially since next Blue
Note recording session was indeed on 6/24, by Duke Pearson. BACK FROM
THE GIG is an excellent twofer. The one LP Shaw is on is really good,
though I think Ervin overshadows Shaw here. The best of Shaw's playing
here is 'Gichi', which is a nice, ominous minor-groove thing. And for
Ervin you have '204' which is a burner from the get-go." --
Marcel-Franck Simon
- Ervin, Booker -- Booker Ervin; Blue Note BST-84314, 1969 (LP)
-
Van Gelder Studio, Englewood Cliffs, NJ; May 24, 1968
-
AMG ***
- Fortune, Sonny -- Serengeti Minstrel; Atlantic 18225
-
Generation Sound Studios, NYC; April 7, 1977
- AMG ***
- Garrett, Kenny -- Introducing Kenny Garrett; Criss Cross 1014 CD,
1985 (CD)
-
Van Gelder Studios, Englewood Cliffs, NJ; December 28, 1984
-
***; Penguin ***
- Gilson, Jef -- A Caveau; Societe Francaise SFP 10004
-
Paris, France; May 15, 1965
- Golson, Benny -- Time Speaks (Dedicated to the Memory of Clifford
Brown); Baystate RJL8054, 1983? (LP)
- Golson, Benny/Hubbard, Freddie/Shaw, Woody/Barron, Kenny/McBee,
Cecil/Riley, Ben -- Time Speaks (Dedicated to the Memory of Clifford
Brown); Timeless CDSJP 187, 1985 (CD)
-
Van Gelder Studio, Englewood Cliffs, NJ; December 7-8, 1982
-
***; Penguin ***
-
Reviewed in Down Beat, May, 1991, v58 n5, by Frank-John Hadley
- Gordon, Dexter -- Best Of Dexter Gordon, The; Columbia JC 36356,
1980 (LP)
-
Live at The Village Vanguard, NYC; December 11-12, 1976
-
Sound Ideas, NYC; June 21-22, 1977
- Gordon, Dexter -- Gotham City; Columbia CK 36853, 1981 (CD)
-
Session location and date not listed
-
***; AMG ***
- Gordon, Dexter -- Great Encounters; Columbia JC 35978, 1979 (LP)
-
CBS Recording Studios, NYC; January 26, 1979
-
***; AMG ***
- Gordon, Dexter -- Homecoming; Columbia CS 34650, 1977 (2LP);
Columbia C2K 46824, 1990 (2CD)
-
Live at The Village Vanguard, NYC; December 11-12, 1976
-
***(*); AMG ****1/2
LP reviewed in Down Beat, August, 1991, v58 n8, by Art Lange.
Material from Dexter's much-heralded "return to the U.S." concerts.
Woody made quite an impression with this record; it is said to have led
to his signing by Columbia Records.
- Gordon, Dexter -- Sophisticated Giant; Columbia AL 34989, 1977
(LP); CBS 467181 2, 1990 (CD)
-
Sound Ideas, NYC; June 21-22, 1977
-
***; Penguin **(*); AMG ****
This is the original release of the album without the Great
Encounters tracks.
- Gordon, Dexter -- Sophisticated Giant; Columbia CK 65295, 1997 (CD)
-
Sound Ideas, NYC; June 21-22, 1977
-
CBS Recording Studios, NYC; January 26, 1979
-
***
This release of the album adds material from the Great Encounters
sessions.
- Gruntz, George Trumpet Machine -- For Flying Out Proud; MPS
(Metronome) 0068.190 (LP); MPS 15.503 (LP)
-
?; June 27-29, 1977
- Gruntz, George Concert Jazz Band, The -- GG-CJB; MPS (Metronome)
0068.215 (LP); MPS (Metronome) 0068.290
- Gruntz, George Concert Jazz Band, The -- GG-CJB; MPS 15.531 (LP)
-
MPS studios, Villingen, W. Germany; September 22-23, 1978
-
Zurich Schauspielhaus, Switzerland; October 1, 1978
- Hampton, Lionel -- Music of Charles Mingus, The; Who's Who 21005
(LP)
-
NYC; November, 1977
-
AMG ***
- Hampton, Lionel and Friends -- Rare Recordings vol. 1; Telarchive
83318, 1992 (CD)
-
NYC; November, 1977
-
Penguin ***; AMG **1/2
- Hampton, Lionel -- Vintage Hampton; Telarchive CD-83321, 1993 (CD)
-
NYC; November, 1977
- Hayes, Louis -- Real Thing, The; Muse MR 5215, 1978 (LP)
-
CI Recording Studios, NYC; May 20-21, 1977
-
***; AMG *****
- Hayes, Louis and Cook, Junior -- Ichi-Ban; Timeless SJP 102, 1976
(LP); Timeless-Muse TI 307, 1979 (LP); CD SJP 102, 1989 (CD)
-
Generation Sound Studio, NYC; May 5, 1976
-
**(*); Penguin ***; AMG ***
- Hayes, Louis and Shaw, Woody Quintet -- Swiss Radio Days Vol. 5:
Lausanne 1977; TCB 2052, 1996 (CD)
-
live at Salle d'Epalinges, Lausanne, Sweden; February 4, 1977
-
***
- Reviewed in Down Beat, May, 1997
- Reviewed in Jazz Journal International, June, 1997
- Reviewed in Jazznu, #215, 1997
- Henderson, Joe -- Blue Note Years, The; Blue Note
CDP-0777-7-89287-20 (3CD)
-
Van Gelder Studio, Englewood Cliffs, NJ; November 10, 1965
-
Penguin ****; AMG ***
- Henderson, Joe -- If You're Not Part of the Solution, You're Part of
the Problem (a.k.a. Live at the Lighthouse); Milestone 9028 (LP)
-
live at The Lighthouse Cafe, Hermosa Beach, CA; September 24-26, 1970
-
AMG ****
- Henderson, Joe -- In Pursuit of Blackness; Milestone MSP-9034 (LP)
-
live at The Lighthouse Cafe, Hermosa Beach, CA; September 24-26, 1970
- Henderson, Joe -- Tetragon/In Pursuit of Blackness; BGP CDBGPD
084, 1994 (CD)
-
live at The Lighthouse Cafe, Hermosa Beach, CA; September 24-26, 1970
-
***(*); Penguin ***(*)
- Henderson, Joe -- The Milestone Years; Milestone 8MCD-4413-2, 1994
(8CD)
-
live at The Lighthouse Cafe, Hermosa Beach, CA; September 24-26, 1970
-
***(*); Penguin ***; AMG *****
- Henderson, Joe and Shaw, Woody -- Jazz Patterns; Everest Records
(Archive of Folk & Jazz) FS-363 (LP)
-
?; September, 1970?
- Herman, Woody -- Concord Years; Concord Jazz CCD-4557, 1993 (CD)
-
Live at The Monterey Jazz Festival, Monterey, CA; September 15, 1979
-
AMG ***
-
A sampler of Herman's recordings for the Concord label.
- Herman, Woody -- Woody and Friends; Concord CCD-4170, 1981 (CD)
-
Live at The Monterey Jazz Festival, Monterey, CA; September 15, 1979
-
**; Penguin ***; AMG ****
- Hill, Andrew -- Lift Every Voice; Blue Note 84330, 1970 (LP)
-
May 16, 1969
-
AMG **1/2
- Hubbard, Freddie and Shaw, Woody -- Double Take; Blue Note BT
85121 (LP); Blue Note CDP 7 46294 2, 1986 (CD)
-
Van Gelder Studio, Englewood Cliffs, NJ; November 21-22, 1985
-
***(*); Penguin ***(*); AMG ***/*****
- Hubbard, Freddie and Shaw, Woody -- Eternal Triangle, The; Blue
Note B1-48017, 1988 (LP); Blue Note CDP 7480172 (CD)
-
Van Gelder Studios, Englewood Cliffs, NJ; June 11-12, 1987
-
***; Penguin ***(*)
- Hubbard, Freddie and Shaw, Woody - Freddie Hubbard-Woody Shaw
Sessions, The; Blue Note CDP 7243 8 32747 2 7, 1995 (CD)
-
Van Gelder Studio, Englewood Cliffs, NJ; November 21-22, 1985
-
Van Gelder Studios, Englewood Cliffs, NJ; June 11-12, 1987
-
AMG **1/2
- Reviewed in Cadence, Dec., 1995
- Reviewed in Cuadernos de Jazz, #32, 1996
- Reviewed in Musica Jazz, Jan., 1996
-
Repackages albums Double Take and The Eternal Triangle together.
- Hubbard, Freddie/Shaw, Woody Sextet -- Mt. Fuji Jazz Festival '86 with
Blue Note; TOEMI L080-1088 (LD,VC)
-
Live at the Mt. Fuji Jazz Festival; August 30-31, 1986
- Hutcherson, Bobby -- Cirrus; Blue Note BN-LA257-G, 1974 (LP)
-
Wally Heider Recording Studio, LA; April 17-18, 1974
-
***; AMG **1/2
- Hutcherson, Bobby -- Live At Montreux; Blue Note BN LA 249-G, 1974
(LP); Blue Note CDP 7243 8 27819 2 9, 1994 (CD)
-
Live at the Montreux Jazz Festival; July 5, 1973
-
***; AMG ****1/2
- Jansa, Tone Quartet featuring Woody Shaw -- Dr. Chi; Timeless
CDSJP 241, 1989 (CD)
-
Radio Ljubljana, Yugoslavia; July 27-28, 1986
-
****
- Lawrence, Azar -- Bridge Into New Age; Prestige P-10086, 1974 (LP)
-
?; September, 1974
-
Down Beat **** (3/75)
-
Reviewed in Down Beat, March 13, 1975, by Mandel
- McLean, Jackie -- 'Bout Soul; Blue Note BST 84284 (LP); Blue Note
CDP 7243 8 59383 2 0, 1997 (CD)
-
Van Gelder Studio, New Jersey; September 8, 1968
-
***; AMG ****
- McLean, Jackie -- Demon's Dance; Blue Note CDP 7 84345 2, 1987 (CD)
-
Van Gelder Studio, New Jersey; December 22, 1967
-
***; Penguin ***(*); AMG ****1/2
- McLean, Jackie/Shaw, Woody Quintet -- Mt. Fuji Jazz Festival '86 with
Blue Note; TOEMI L080-1088 (LD,VC)
-
Live at the Mt. Fuji Jazz Festival; August 30-31, 1986
- Mingus, Charles -- Charlie Mingus; Jazz Classics AU 36000 (CD)
-
NYC; November, 1977
- Mingus, Charles -- His Final Work; RTV Communications (CD)
-
NYC; November, 1977
-
AMG ***
- Mingus, Charles -- Sound Of Jazz, The; Cleo CLCD 65005, compiled
1988 (CD)
-
NYC; November, 1977
-
**(*); Penguin ***
- Mobley, Hank -- Reach Out!; Blue Note BST 84288, 1968 (LP);
Blue Note CDP 59964, 1997 (CD)
-
Van Gelder Studio, Englewood Cliffs, NJ; January 19, 1968
-
***; AMG ***
- Mobley, Hank -- Thinking of Home; Blue Note LT-1045, 1980 (LP)
-
Van Gelder Studios, Englewood Cliffs, NJ; July 31, 1970
-
AMG ****1/2
- Paris Reunion Band, The -- For Klook; Gazell GJCD-1009, 1988 (CD)
-
Sonet Studios, Stockholm; October 23-24, 1986
-
**
- Paris Reunion Band, The -- French Cooking; Gazell GJ 1002 (LP);
GJCD-1002, 1987 (CD)
-
Sonet Studios, Stockholm; July 3, 1985
-
**
- Paris Reunion Band, The -- Jazz Buhne Berlin 1988; Amiga 8 56 418,
1989 (LP)
-
Friedrichstadtpalast, Berlin; June 4, 1988
- Paris Reunion Band, The -- Live at Theaterhaus, Stuttgart, W.
Germany; Proscenium 10004, 1988 (VC)
-
Live at Theaterhaus, Stuttgart, W. Germany; summer, 1988
-
***
- Sanders, Pharoah -- Summun, Bukmun, Umyun; Impulse AS-9199 (LP)
-
A&R Studios, NYC; July 1, 1970
-
AMG ***
- Shaw, Woody -- Bemsha Swing; Blue Note CDP 7243 8 29029 2 8, 1997
(CD)
-
Live at Baker's Keyboard Lounge, Detroit; February 26-27, 1986
-
***
- Reviewed in Cuadernos de Jazz, #43, 1997
- Reviewed in Jazztimes, Dec., 1997
-
Also contains two rhythm section trio tracks.
- Shaw, Woody -- Best Of Woody Shaw, The; Columbia JC 36519, 1980 (LP)
-
CBS 30th Street Studio, NYC; December 15-19, 1977
-
Live at The Village Vanguard, NYC; August 5-6, 1978
-
C & I Recording Studios, NYC; January 18-19, 1979
-
CBS 52nd Street Studio B, NYC; December 17-20, 1979; December 27, 1979;
January 4, 1980
-
A collection of tracks from Woody's Columbia recordings prior to his
second working quintet (that is, not including material from
United).
- Shaw, Woody -- Blackstone Legacy; Contemporary S7627/8, 1971 (LP)
-
A&R Studios, NYC; December 8-9, 1970
-
***(*); AMG *****
-
Woody's first album as a leader.
- Shaw, Woody -- Cassandranite; Muse MCD 6007, 1989 (CD)
-
NYC; December, 1965
-
Sound Idea Studio, NYC; February 10, 1971
-
Blue Rock Studios, NYC; December 11 and 18, 1974
-
****; Penguin ****; AMG **
-
Repackages album In The Beginning, plus an
extra track from Joe Chambers' The
Almoravid.
Some pressings of Cassandranite contain incorrect recorded
material and/or confusion over the track labelling, as is mentioned
in the discography for the sessions above.
- Shaw, Woody -- Complete CBS Studio Recordings of Woody Shaw, The;
Mosaic MR4-142, 1992 (4LP); MD3-142, 1992 (3CD)
-
CBS 30th Street Studio, NYC; December 15-19, 1977
-
C & I Recording Studios, NYC; January 18-19, 1979
-
CBS 52nd Street Studio B, NYC; January 24, 1979
-
CBS 52nd Street Studio B, NYC; December 17-20, 1979; December 27, 1979;
January 4, 1980
-
Right Track Studios, NYC; March 7, 9, 17, 1981
-
AMG *****
- Reviewed in Audio, December, 1992, v76 n12, by Michael Bieber
- Reviewed in Coda, #255, 1994
- Reviewed in Jazziz, Jan., 1993
- Reviewed in Jazz Journal International, July, 1994
-
Collects all studio sessions that Woody cut for Columbia. The live
sessions at the Village Vanguard are not included.
Packages albums Rosewood, Woody III (minus a live track), For
Sure! (plus a bonus track), and United.
- Shaw, Woody -- Dark Journey; 32 Jazz 32039, 1997 (CD)
-
Van Gelder Studio, Englewood Cliffs, NJ; October 1 and 22, 1965
-
NYC; December, 1965
-
Blue Rock Studios, NYC; December 11 and 18, 1974
-
Blue Rock Studio, NYC; April 6 and 13, 1977
-
Van Gelder Studio, Englewood Cliffs, NJ; December 1, 1983
-
Van Gelder Studio, Englewood Cliffs, NJ; March 24, 1986
-
Van Gelder Studios, New Jersey; June 24, 1987
-
A nice sampler of Woody's recordings, primarily those originally released
on the Muse label, and with some Blue Note material as well.
- Shaw, Woody -- For Sure!; Columbia FC 36383, 1980 (LP)
-
CBS 52nd Street Studio B, NYC; December 17-20, 1979; December 27, 1979;
January 4, 1980
-
***
- Shaw, Woody -- Imagination; Muse MCD 5338, 1988 (CD); 32 Jazz
32090, 1998 (CD)
-
Van Gelder Studios, New Jersey; June 24, 1987
-
****; Penguin ***(*); AMG ****
- Shaw, Woody Quartet -- In My Own Sweet Way; In + Out 7003-2, 1989
(CD)
-
Live at Bazillus Zurich; February 7, 1987 and
Live at Muhle Hunziken Bern; February 8, 1987
-
****; Penguin ****; AMG ****1/2
- Reviewed in Cuadernos de Jazz, #9, 1992
- Shaw, Woody -- In The Beginning; Muse MR 5298, 1983 (LP)
-
NYC; December, 1965
-
AMG ****
-
A commercial release of the demo tapes made by Woody in his original
quest for a recording contract.
- Shaw, Woody with Braxton, Anthony -- Iron Men, The; Muse MR 5160,
1981 (LP)
-
Blue Rock Studio, NYC; April 6 and 13, 1977
-
****; AMG ****
- Shaw, Woody -- Last of the Line; 32 Jazz 32024, 1997 (CD)
-
NYC; December, 1965
-
Sound Idea Studio, NYC; February 10, 1971
-
Blue Rock Studio, NYC; November, 1975
- Reviewed in Jazztimes, Dec., 1997
- Repackages albums Cassandranite and Love Dance together.
- Shaw, Woody -- Little Red's Fantasy; Muse MR 5103, 1978 (LP)
-
Blue Rock Studio, NYC; June 29, 1976
-
****; AMG **** 1/2
- Shaw, Woody Concert Ensemble -- Live at the Berliner Jazztage;
Muse MR 5139, 1977 (LP)
-
Live at the Berlin Jazz Festival; November 6, 1976
-
***(*); AMG **** 1/2
This album is not listed in the Penguin guide, but it is discussed in the
text as if it was (perhaps it was accidentally omitted).
- Shaw, Woody -- Lotus Flower; Enja R2 79637, 1982 (CD)
-
Vanguard Studios, NYC; January 7, 1982
-
***; Penguin ***; AMG ****1/2
- Shaw, Woody -- Love Dance; Muse MR 5074, 1976 (LP)
-
Blue Rock Studio, NYC; November, 1975
-
***; Penguin ***; Down Beat *****; AMG ****
-
Woody's first album "on the charts".
- Shaw, Woody -- Master of the Art; Musician E1-60131, 1982 (LP)
-
Live at The Jazz Forum, NYC; February 25, 1982
-
**(*); AMG ****
- Shaw, Woody -- Moontrane, The; Muse MR 5058, 1975? (LP); Muse
900.324, 1978 (LP); Muse MCD 5472, 1993; 32 Jazz 32019, 1997 (CD)
-
Blue Rock Studios, NYC; December 11 and 18, 1974
-
***; Penguin ****; AMG **** 1/2; Down Beat ***** (LP, 11/20/75).
- Reviewed in Coda, October, 1976, issue number 151, by Barry
Temperman.
- Reviewed in Down Beat, November 20, 1975, by Herb Nolan.
- Reviewed in Cadence, Sep., 1995
- Reviewed in Jazz Journal International, Apr., 1996
- Reviewed in Jazz Magazine, #451, 1995
- Reviewed in Jazz Special, #37, 1997
- Reviewed in Musica Jazz, Nov., 1995
- Shaw, Woody -- Night Music; Musician 9 60299-1, 1983 (LP)
-
Live at The Jazz Forum, NYC; February 25, 1982
-
**; AMG ***
- Shaw, Woody -- Rosewood; Columbia JC 35309, 1978 (LP)
-
CBS 30th Street Studio, NYC; December 15-19, 1977
-
****; AMG *****
-
Down Beat 1978 Critics Poll Record of the Year, Down Beat 1978 Reader's
Poll Best Jazz Album of 1978.
See also CD packaging that follows.
- Shaw, Woody -- Rosewood; Columbia CK 65519, 1998 (CD)
-
CBS 30th Street Studio, NYC; December 15-19, 1977
-
CBS 52nd Street Studio B, NYC; December 17-20, 1979; December 27, 1979;
January 4, 1980
CD release of "Rosewood" also includes 3 tracks from the "For Sure!"
sessions.
- Shaw, Woody -- Setting Standards; Muse MR 5318, 1985 (LP)
-
Van Gelder Studio, Englewood Cliffs, NJ; December 1, 1983
-
AMG ****1/2
- Shaw, Woody -- Solid; Muse MCD 5329, 1987 (CD)
-
Van Gelder Studio, Englewood Cliffs, NJ; March 24, 1986
-
****; Penguin ***(*); AMG ****
- Shaw, Woody -- Song of Songs; Contemporary C-7632/Fantasy OJC-180,
1973 (LP); Contemporary OJCCD-1893-2, 1997 (CD)
-
Contemporary Studios, Los Angeles; September 15 and 18, 1972
-
***; Penguin ***; AMG ****
Woody's second album as a leader.
- Shaw, Woody -- Stepping Stones; Columbia JC 35560, 1978 (LP)
-
Live at The Village Vanguard, NYC; August 5-6, 1978
-
****; AMG ***
- Shaw, Woody -- Time Is Right; Red 123168-2, 1993 (CD)
-
Live at "Osteria Delle Dame", Bologna; January 1, 1983
-
***; Penguin ***; AMG ****
- Reviewed in Cadence, Oct., 1993
- Reviewed in Jazz Journal International, Oct., 1993
- Reviewed in Musica Jazz, Jul., 1993
- Reviewed in Vox, Nov., 1993
-
May have first been released on Soul Note, according to an interview in
Coda magazine.
- Shaw, Woody -- Two More Pieces of the Puzzle; 32 Jazz 32069, 1998
(CD)
-
Live at the Berlin Jazz Festival; November 6, 1976
-
Blue Rock Studio, NYC; April 6 and 13, 1977
Repackages Woody Shaw Concert Ensemble Live at the
Berliner Jazztage and The Iron Men.
- Shaw, Woody -- United; Columbia FC 37390, 1981 (LP)
-
Right Track Studios, NYC; March 7, 9, 17, 1981
-
****; AMG ***
- Shaw, Woody -- Woody III; Columbia JC 35977, 1979 (LP); Columbia
JC 83778 (LP)
-
Live at The Village Vanguard, NYC; August 5-6, 1978
-
C & I Recording Studios, NYC; January 18-19, 1979
-
CBS 52nd Street Studio B, NYC; January 24, 1979
-
****; AMG ***
- Shaw, Woody -- Woody Shaw with the Tone Jansa Quartet; Timeless
CDSJP 221, 1985 (CD)
-
Studio 44, Monster, Holland; April 3, 1985
-
***; Penguin ***; AMG ****
- Shepp, Archie -- For Losers; Impulse AS 9188 (LP)
-
RCA Studios, NYC; August 26, 1969
-
Down Beat ***** (4/71)
-
Reviewed in Down Beat, April 15, 1971, by Bill Cole
-
"We are brought all the way from stirring rhythm and blues through
reminiscences of Billie Holiday (courtesy Miss Chinalin Sharpe) to
orchestral colors conjuring up visions of Duke and Mingus, back full
circle to Mother Africa." -- from the review by Bill Cole in Down Beat.
- Shepp, Archie -- Kwanza; ABC Impulse AS-9262 (LP)
-
RCA Studios, NYC; August 26, 1969
-
*(*); Down Beat ****1/2 (6/74)
-
Reviewed in Down Beat, June 20, 1974, by Kopulos
-
Reviewed in Coda, ~1974, by Jack Chambers
-
"This release has to be a mistake... Woody Shaw on Slow Drag and Shepp
on Bakai seem to be putting out. The rest is deadly." -- from the
review by Jack Chambers in Coda.
- Sidran, Ben -- Free in America; Arista AL4081, 1976 (LP)
-
?; 1976?
-
AMG **
- Silver, Horace -- Best of Horace Silver, The (Blue Note re-issue
series); Blue Note BN-LA402-H2, 1975 (LP)
- Silver, Horace -- Best Of, vol. 2, The (The Blue Note Years); Blue
Note CDP 7 93206 2, 1989 (CD)
- Silver, Horace -- Blue Note Years, The
-
Van Gelder Studio, Englewood Cliffs, NJ; October 1 and 22, 1965
- Silver, Horace -- Cape Verdean Blues, The; Blue Note CDP 7 84220
2, 1989 (CD)
-
Van Gelder Studio, Englewood Cliffs, NJ; October 1 and 22, 1965
-
****; Penguin ***(*); AMG ****1/2
- Silver, Horace -- Greatest Hits; Jazztime S21-57589, 1992 (CD)
-
Van Gelder Studio, Englewood Cliffs, NJ; October 1 and 22, 1965
-
Van Gelder Studio, Englewood Cliffs, NJ; November 2 and 23, 1966
- Silver, Horace -- Jody Grind, The; Blue Note CDP 7 84250 2, 1991
(CD)
-
Van Gelder Studio, Englewood Cliffs, NJ; November 2 and 23, 1966
-
****; Penguin ****; AMG ****
- Silver, Horace -- Natives Are Restless Tonight, The; Emerald
EMR-CD-1003, 1990 (CD)
- Silver, Horace -- Re-Entry; RAM R-81002, 1994 (CD)
-
The Half Note nightclub, NYC; February 11 and 18, 1966
-
(****)
- Swainson, Neil -- 49th Parallel; Concord CCD-4396, 1989 (CD)
-
Studio 306, Toronto, Canada; May, 1987
-
***; AMG ****1/2
-
Not released until after Woody's death, the album is dedicated "to the
memory of Woody Shaw".
- Terry, Buddy -- Natural Soul; Prestige 7541 (LP)
-
November 15, 1967
-
Also available with same catalog number as "Prestige Records distributed
by MPS (Germany)". There is also a 45 RPM single with catalogue number
Prestige 45-459; I don't know what tracks are on this single.
- Terry, Buddy -- Pure Dynamite; Mainstream MRL 356, 1972 (LP)
-
?; 1971-1972?
- The Band Directed by George Gruntz -- The Alpine Power Plant;
MPS/BASF 33 24160-5 (2LP); MPS 52.013 (LP);MPS (Metronome) 0068.290
(LP)
-
Lugano, Switzerland; April 5-6, 1972
-
Credits include "The Co-Leaders: Flavio Ambrosetti, Franco Ambrosetti,
George Gruntz, Daniel Humair."
- Tyner, McCoy -- Best of McCoy Tyner: The Blue Note Years; Blue
Note 37051, 1995 (CD)
-
Van Gelder Studio, New Jersey; August 23, 1968
- Tyner, McCoy -- Expansions; Applause APBL 2310, 1970 (LP); Blue Note
BST 84338 (LP); CDP 7 84338 2, 1988, 1995 (CD)
-
Van Gelder Studio, New Jersey; August 23, 1968
-
***(*); Penguin ***(*); AMG ****1/2
- Waldron, Mal Quintet -- Git Go, The; Soul Note SN 1118, 1987 (LP);
121118-2, 1987 (CD)
-
Live at The Village Vanguard, NYC; September 16, 1986
-
***; Penguin ***(*)
- Waldron, Mal and Friends -- Live at the Village Vanguard vol. 4;
Video Artists International 69092, 1984 (VC)
-
Live at The Village Vanguard, NYC; September ~16, 1986?
- Waldron, Mal Quintet -- Seagulls of Kristiansund, The; Soul Note
121 148-2, 1988 (CD)
-
Live at The Village Vanguard, NYC; September 16, 1986
-
***(*); Penguin ****
- Ward, Carlos Quartet featuring Woody Shaw -- Lito; Leo LR 166,
1989 (LP); Leo CD LR 166, 1992 (CD)
-
Live at the North Sea Jazz Festival; July 9, 1988
-
***; Penguin ***(*)
- Washington, Tyrone -- Natural Essence; Blue Note BST84274 (LP)
-
Van Gelder Studio, Englewood Cliffs, NJ; 1967-1968 (?)
-
AMG ***
- Williams, Buster -- Pinnacle; Muse MR 5080 (LP)
-
New York; August 5, 7, 11, 14, 1975
-
Down Beat ***1/2
-
Reviewed in Down Beat; August 12, 1976.
- Young, Larry -- Art of Larry Young; Blue Note
CDP-0777-7-99177-2-3, 1992 (CD)
-
Van Gelder Studio, Englewood Cliffs, NJ; November 10, 1965
- AMG ****1/2
- Young, Larry -- Complete Blue Note Recordings of Larry Young, The;
Mosaic MR9-137, 1991 (3LP); MD6-137, 1991 (6CD)
-
Van Gelder Studio, Englewood Cliffs, NJ; November 10, 1965
- Young, Larry -- Unity; Blue Note 84221, 1966 (LP); CDP 7 84221 2,
199?, 1995 (CD)
-
Van Gelder Studio, Englewood Cliffs, NJ; November 10, 1965
-
****; Penguin *****; AMG *****
- Zawinul, Joe -- Concerto Retitled; Atlantic SD 1694, 1976 (LP)
-
Atlantic Recording Studios, NYC; 1970-1971?
- Zawinul, Joe -- Zawinul; Atlantic SD 1579, 1971 (LP); 1579-2 (CD)
-
Atlantic Recording Studios, NYC; 1970-1971?
-
***; Penguin ***(*); AMG ****1/2
- various artists -- A Trumpet Tribute: A Tribute to Fats Navarro,
Clifford Brown & Booker Little; Trip TLX-5036 (2LP)
-
The Club Ruby, NYC; mid 1960's
- various artists -- Atlantic Jazz: Introspection; Atlantic Atl 7
81710-1, 1986 (LP)
-
Atlantic Recording Studios, NYC; 1970-1971?
- various artists -- Atlantic Jazz: Keyboards; Rhino 8122-71596-2,
1995 (CD)
-
Atlantic Recording Studios, NYC; November 30 & December 1, 1966
-
AMG ****
- various artists -- Blue Bossa; Blue Note B21Y 95590 (CD)
-
Van Gelder Studio, Englewood Cliffs, NJ; October 1 and 22, 1965
-
AMG **
- various artists -- Blue Break Beats vol. 3; Blue Note 7243 8 54360
2 4, 1997(CD)
-
Van Gelder Studio, New Jersey; September 8, 1968
- various artists -- Havana Jam; Columbia PC2 36053 (LP)
-
Live at the Karl Marx Theatre, Havana, Cuba; March 3, 1979
- AMG ***
- various artists -- Havana Jam 2; Columbia PC2 36180 (LP)
-
Live at the Karl Marx Theatre, Havana, Cuba; March 3, 1979
-
AMG ****1/2
-
Other tracks feature the Cuban Percussion Ensemble, a 30-member conga
group plus pianist Frank Emilio and possibly Los Papines on vocals;
these tracks are highly recommended by Trina Borras: "They do the most
incredible version of Rimsky-Korsakov's Scheherezade you could ever
imagine."
- various artists -- Individuals; Columbia A2S 512, 1978 (LP)
-
Live at The Village Vanguard, NYC; August 5-6, 1978
-
CBS 52nd Street Studio B, NYC; January 24, 1979
- various artists -- Jazz Dance Classics Vol. 3; Luv 'N Haight
LHCD015 (CD)
-
Fantasy Studios, Berkeley, CA; March 26-29, 1973
- various artists -- Jazz Event of the Decade, The -- One Night With
Blue Note Preserved - specially selected airplay tracks; Blue Note
9484-9485, 1985 (LP)
-
Live at Town Hall, NYC; February 22, 1985
- various artists -- Jazz Giants; unknown Italian label HJ 2 Box 10
(LP)
-
New York; June 30, 1969
- various artists -- Jazz Unlimited; In + Out
7588, 1992 (CD)
-
Live at Bazillus Zurich; February 7, 1987 and
Live at Muhle Hunziken Bern; February 8, 1987
- various artists -- Montreux Summit volume 1; Columbia JG 35005,
1977 (LP)
-
Live at the Montreux Jazz Festival; July 24, 1977
-
**(*); AMG ***
- various artists -- Montreux Summit volume 2; Columbia 35090, 1977
(LP)
- various artists -- Montreux Summit volume 2 Special Radio Edition;
Columbia AS 440, 1978 (LP)
-
Live at the Montreux Jazz Festival; July 24, 1977
-
**
- various artists -- Montreux Summit First Divide; Columbia PC
36982, 1981 (LP)
-
Live at the Montreux Jazz Festival; July 24, 1977
- various artists -- Musician's Guide vol. 2; Musician E1-60136B,
1982 (LP)
-
Live at The Jazz Forum, NYC; February 25, 1982
- various artists - One Night With Blue Note Preserved volume 2;
Blue Note CDP 7 46148 2, 1985 (CD)
-
Live at Town Hall, NYC; February 22, 1985
-
***; AMG **
- various artists -- Playboy Jazz Festival 1982, The; Musician
60298-1-I, 1984 (LP)
-
Live at the Playboy Jazz Festival; June 19-20, 1982
-
**(*); AMG **
- various artists -- Screamin' Mothers; Mainstream 806, 1974 (2LP)
-
NYC?; 1974?
- various artists -- Sound of Jazz, The; Who's Who WWCD-JAZ-1 (CD)
-
NYC; November, 1977
- various artists -- Trumpets in Modern Jazz; Enja 8000-2, 1994 (CD)
-
The Detroit Institute of the Arts; Aug. 26, 1983
-
AMG ***
Appendix: Supplementary Information
Other Performances
-
Jackie McLean - On Mars; Rhapsody Films, 1986 (VC).
-
Woody appears briefly in a clip from a live performance, probably from about
1967.
-
On May 8 and May 29, 1982 PBS aired a program called "Jazz At The Maintenance
Shop" featuring the Woody Shaw Quintet. [This was opposite Fantasy Island!]
These are two separate shows, show no. 1 and show no. 2.
Format of Discography Entries
The general format of an entry in the Discography By Recording Session
is:
Location; Date
Musician1 - Instruments; Musician2 -
Instruments; ...
| 1. | TrackTitle1 | (Composer) | Length
|
| 2. | TrackTitle2 | (Composer) | Length
|
| ...
|
-
Leader1 -- AlbumTitle1: TrackList
-
Leader2 -- AlbumTitle2: TrackList
-
...
Notes and comments.
Each album listed contains material from this session. In the hypertext form
of this document, the listing is a hypertext link to the entry for that album
in the Discography by Album Release section. The names of albums on
which a session was originally released, or the albums that are considered to
be primarily associated with a session at the time of this writing, appear in
bold typeface. Re-releases in different packaging, collections, and
samplers appear in normal typeface. An album listed contains all tracks
listed for the session above it unless :TrackList appears, in which
case a list of the track numbers that appear on that album is given.
A number in square brackets at the end of the listing for a track indicates
that a known transcription of Woody's solo on the track is published. The
number corresponds to an entry in the list of
transcription sources that appears in the appendix.
The general format for an entry in the Discography by Album Release
is:
- Leader -- AlbumTitle; CatalogueNumber,
Year (format)
- RecordingSession1
- RecordingSession2
-
ratings and review citations
-
other comments
Each recording session listed produced material released on this album. In
the hypertext version of this document, the listing is a hypertext link to
the session's entry in the Discography by Recording Session.
Information on Ratings
Many of the album listings in this discography also list ratings by this
author and/or ratings and awards from various other sources.
The author's ratings of the works are based on the same five-star format used
by the first edition of The Penguin Guide to Jazz on CD, LP, and
Cassette:
| ***** | among the best jazz recordings ever produced
|
| **** | an outstanding album
|
| *** | a good, but more pedestrian, effort
|
| ** | a sub-standard work
|
| * | horribly flawed
|
Parentheses are used around a single star where the author has misgivings
about awarding the extra star but feels the album comes very close.
Parentheses are used around the entire rating where the author feels the
rating must be qualified by concerns mentioned in the text review.
Where Woody does not appear on all tracks of an album, the author's rating is
of Woody's performances only, rather than an overall rating of the recording.
Ratings from sources other than this author are usually of the entire
recording; some information on the basis of ratings from other sources
appears in the list below.
Ratings and reviews are by this author unless otherwise noted. While I am
reluctant to be such a "critic", I feel the opinions of various enthusiasts
included here add greatly to the usefulness of this work. This also keeps my
work from becoming entirely obsolete as soon as a more thorough researcher
comes along!
The most common sources of ratings other than those of this author are:
- Penguin
- The Penguin Guide to Jazz on CD, LP, and Cassette, by Richard
Cook and Brian Morton, Penguin Books, London.
This discography is current with the Penguin Guide as of the Third
Edition, published 1996. Where a new edition of the Guide drops
entries for albums due to the album going out-of-print in England,
this discography retains the earlier rating.
The author of this discography has adopted the rating system used by
the first edition of the Penguin Guide, as explained above.
Subsequent editions have replaced the five-star rating with "four
stars plus a crown".
- AMG
- The All-Music Guide: A Complete Online Database of Recorded
Music. A World Wide Web-based source for information on music
albums. The URL is:
http://205.186.189.2/root/amg/Music_Root.html
According to their web page, "Albums for each music artist are rated
against their own best work and not against other artists in their
genre". The same folks also publish The All-Music Guide to
Jazz.
Solo Transcriptions
A "[transcribed]" hyperlink in a track listing indicates that a transcription
of Woody's solo on the track is available. The transcription sources are:
-
Woody Shaw / Jazz Trumpet Solos, transcribed by Dale Carley,
edited by Ronny S. Schiff, HL00855057, Hal Leonard Publishing
Corporation, 7777 West Bluemound Road P.O. Box 13819, Milwaukee, WI
53213.
-
15 Trumpet Solos, transcribed by Brian Pendleton, Sweet Pen
Publishing, Stevens Creek Blvd. Suite 129, Cupertino, CA 95014.
-
28 Modern Jazz Trumpet Solos, transcribed by Ken Slone, edited
by Jamey Aebersold, STUDIO 224, 16333 N.W. 54th Avenue, Hialeah, Fla.
33014.
-
Down Beat, June, 1995.
References
-
Woody Shaw -- Trumpet In Bloom, Chuck Berg, Down Beat, August 10, 1978.
-
This interview with WS provides the foundation for numerous other articles
and liner notes.
-
An Interview with Woody Shaw, recorded as a track on album "Master of
the Art".
-
The text of the interview is reproduced on the album jacket of the LP
release.
-
Shawnuff Did * Shawnuff Said, Marc Chenard, Coda, from approx.
1985-1986.
-
An interview with WS.
-
The Complete CBS Studio Recordings of Woody Shaw, liner notes in
accompanying booklet by Michael Cuscuna and Carl Woideck, 1992.
-
Personal recollections and music analysis, including detailed info on the
CBS studio sessions.
-
The Penguin Guide to Jazz on CD, LP, and Cassette, Richard Cook and
Brian Morton, Penguin Books, London, 1992, 1994, 1996.
-
Contains ratings, reviews, and discographical entries.
Other published interviews and articles I don't have are:
-
Chadbourne, Eugene: "(...who? me?) Woody Shaw", Coda, No. 144
1976: 10-12
-
Lake, S.: "The Intimidator," MELODY MAKER, li(2 October 1976), 48
-
Reitman, Linda R: "Woody Shaw - Linked to a Legacy", Down Beat,
Vol 50. January 1983: 18-21
-
Rusch, B.: "Woody Shaw: Interview", Cadence, vii/1(1981) 12
-
Shaw, Woody: "My Approach to the Trumpet, and to Jazz,", Crescendo
International, xv/8 (1977), 14
-
Smith, Arnold Jay, Down Beat, 1975.
-
Tompkins, L.: "Keeping Jazz Alive....", Crescendo International, xv/3(76),
20
-
"Woody Shaw", Jazz Forum (intl edtn), no. 57(1979)
-
"Woody Shaw", Swing Journal, xxxvi/14(1982), 242 [discography]
-
(unknown article title), Down Beat, Dec., 1997
-
(unknown article title), Cuadernos de Jazz, #19, 1993
Definitions of Abbreviations
The abbreviations used in this document are:
| 45rpm | 45 RPM record
|
| afl | alto flute
|
| al | alto
|
| AMG | All Music Guide
|
| as | alto sax
|
| b | bass
|
| bs | baritone sax
|
| CD | compact disc
|
| cell | cello
|
| clar | clarinet
|
| cond | conductor
|
| cong | congas
|
| cor | cornet
|
| cshel | conch shells
|
| dr | drums
|
| el | electric
|
| fl | flute
|
| flg | fluegelhorn
|
| gtr | guitar
|
| kyb | keyboards
|
| LD | laser disc
|
| LP | long playing record
|
| mar | maracas
|
| NYC | New York City
|
| org | organ
|
| p | piano
|
| pclo | piccolo
|
| Penguin | The Penguin Guide to Jazz on CD, LP, and Cassette
|
| perc | percussion
|
| ss | soprano sax
|
| synth | synthesizer
|
| tb | trombone
|
| tp | trumpet
|
| ts | tenor sax
|
| vbs | vibes (vibraphone)
|
| VC | video cassette
|
| vla | viola
|
| vln | violin
|
| voc | vocals
|
| wd | wood
|
| WS | Woody Shaw
|
Index by Artist Name
An alphabetical index of artists who have appeared in a recording session
together with Woody Shaw. Each hypertext entry in the index leads to a
recording session entry in which the artist participated.
Jump to entries for last name starting with letter
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
- Abrams, Muhal Richard
-
Blue Rock Studio, NYC; April 6 and 13, 1977
- Adderley, Nat
-
Sonet Studios, Stockholm; October 23-24, 1986
-
Friedrichstadtpalast, Berlin; June 4, 1988
-
Live at Theaterhaus, Stuttgart, W. Germany; summer, 1988
- Ali, Rashied
-
Live at the Left Bank Jazz Society, Baltimore, MD; March 30, 1969
- Allen, Carl
-
Van Gelder Studio, Englewood Cliffs, NJ; November 21-22, 1985
-
Van Gelder Studios, Englewood Cliffs, NJ; June 11-12, 1987
-
Van Gelder Studios, New Jersey; June 24, 1987
- Allen, Geri
-
Live at Baker's Keyboard Lounge, Detroit; February 26-27, 1986
- Ambrosetti, Flavio
-
Lugano, Switzerland; April 5-6, 1972
- Ambrosetti, Franco
-
Lugano, Switzerland; April 5-6, 1972
-
?; June 27-29, 1977
-
MPS studios, Villingen, W. Germany; September 22-23, 1978
-
Zurich Schauspielhaus, Switzerland; October 1, 1978
- Anderson, Frank
-
NYC?; 1974?
- Andre, Wayne
-
Sound Ideas, NYC; June 21-22, 1977
- Arnett, Jan
-
Van Gelder Studio, Englewood Cliffs, NJ; May 24, 1968
- Arnold, Horace
-
New York; June 30, 1969
- Bailey, Benny
-
Lugano, Switzerland; April 5-6, 1972
-
Sound Ideas, NYC; June 21-22, 1977
-
MPS studios, Villingen, W. Germany; September 22-23, 1978
-
Zurich Schauspielhaus, Switzerland; October 1, 1978
- Bargeron, David
-
NYC?; 1974?
- Barron, Kenny
-
Van Gelder Studio, Englewood Cliffs, NJ; 1967-1968 (?)
-
Van Gelder Studio, Englewood Cliffs, NJ; May 24, 1968
-
?; 1971-1972?
-
Generation Sound Studios, NYC; April 7, 1977
-
Van Gelder Studio, Englewood Cliffs, NJ; December 7-8, 1982
-
Van Gelder Studio, Englewood Cliffs, NJ; March 24, 1986
- Bartz, Gary
-
Van Gelder Studio, New Jersey; August 23, 1968
-
Live at the Left Bank Jazz Society, Baltimore, MD; March 30, 1969
-
A&R Studios, NYC; July 1, 1970
-
A&R Studios, NYC; December 8-9, 1970
-
CBS 52nd Street Studio B, NYC; December 17-20, 1979; etc.
-
Right Track Studios, NYC; March 7, 9, 17, 1981
- Bass, Mickey
-
Van Gelder Studios, Englewood Cliffs, NJ; July 31, 1970
-
Fantasy Studios, Berkeley, CA; March 26-29, 1973
- Bellotto, Americo
-
MPS studios, Villingen, W. Germany; September 22-23, 1978
-
Zurich Schauspielhaus, Switzerland; October 1, 1978
- Benger, Alan Shwaetz
-
?; 1970-1971?
- Benson, George
-
Van Gelder Studio, Englewood Cliffs, NJ; January 19, 1968
- Bernard, Cecil
-
Live at the Montreux Jazz Festival; July 5, 1973
- Bettis, Nathaniel
-
A&R Studios, NYC; July 1, 1970
- Bishop, Walter Jr.
-
?; 1970-1971?
-
Friedrichstadtpalast, Berlin; June 4, 1988
-
Live at Theaterhaus, Stuttgart, W. Germany; summer, 1988
- Bitker, Arthur
-
NYC?; 1974?
- Blackwell, Ed
-
Live at The Village Vanguard, NYC; September 16, 1986
-
Live at The Village Vanguard, NYC; September ~16, 1986?
- Blakey, Art
-
Live in New Jersey (probably Rutgers University); April 15, 1969
-
Van Gelder Studios, Englewood Cliffs, NJ; July 28, 1972
-
Fantasy Studios, Berkeley, CA; March 26-29, 1973
- Blythe, Arthur
-
Blue Rock Studio, NYC; April 6 and 13, 1977
-
Live at the Karl Marx Theatre, Havana, Cuba; March 3, 1979
- Bobo, WIllie
-
Live at the Karl Marx Theatre, Havana, Cuba; March 3, 1979
- Bonner, Joe
-
Blue Rock Studio, NYC; November, 1975
- Booker, Walter
-
Atlantic Recording Studios, NYC; 1970-1971?
- Botchinsky, Alan
-
Zurich Schauspielhaus, Switzerland; October 1, 1978
- Bowen, Greg
-
Live at the Montreux Jazz Festival; July 24, 1977
- Boyd, Emanuel (Manny)
-
Van Gelder Studios, Englewood Cliffs, NJ; July 28, 1972
-
Contemporary Studios, Los Angeles; September 15 and 18, 1972
-
Wally Heider Recording Studio, LA; April 17-18, 1974
- Brackeen, Joanne
-
?; 1971-1972?
- Braxton, Anthony
-
Blue Rock Studio, NYC; April 6 and 13, 1977
- Brecker, Michael
-
?; 1976?
- Brecker, Randy
-
?; 1976?
- Brooks, Billy
-
Villingen, Black Forest, Germany; January 30, 1965
-
Live at the Montreux Jazz Festival; July 24, 1977
-
Sonet Studios, Stockholm; July 3, 1985
- Brooks, Roy
-
Live at the Left Bank Jazz Society, Baltimore, MD; April 26, 1970
-
The Detroit Institute of the Arts; Aug. 26, 1983
-
Live at Baker's Keyboard Lounge, Detroit; February 26-27, 1986
- Brown, Garnett
-
Sound Idea Studio, NYC; February 10, 1971
- Burrell, Kenny
-
NYC?; 1974?
- Butler, Billy
-
NYC?; 1974?
- Cables, George
-
Live in New Jersey (probably Rutgers University); April 15, 1969
-
live at The Lighthouse Cafe, Hermosa Beach, CA; September 24-26, 1970
-
?; September, 1970?
-
A&R Studios, NYC; December 8-9, 1970
-
Sound Idea Studio, NYC; February 10, 1971
-
Van Gelder Studios, Englewood Cliffs, NJ; July 28, 1972
-
Contemporary Studios, Los Angeles; September 15 and 18, 1972
-
Sound Ideas, NYC; June 21-22, 1977
-
CBS Recording Studios, NYC; January 26, 1979
-
CBS 52nd Street Studio B, NYC; January 24, 1979
- Carn, Jean
-
?; September, 1974
- Carter, Benjamin Franklin
-
May 16, 1969
- Carter, Ron
-
NYC; December, 1965
-
Van Gelder Studio, New Jersey; August 23, 1968
-
A&R Studios, NYC; December 8-9, 1970
- Chambers, Joe
-
NYC; December, 1965
-
Atlantic Recording Studios, NYC; November 30 & December 1, 1966
-
Van Gelder Studio, Englewood Cliffs, NJ; 1967-1968 (?)
-
RCA Studios, NYC; August 26, 1969
-
Olmsted Sound Studios, NYC; September 25, 1969
-
Sound Idea Studio, NYC; February 10, 1971
-
Blue Rock Studio, NYC; April 6 and 13, 1977
- Chambers, Paul
-
NYC; December, 1965
-
Atlantic Recording Studios, NYC; 1970-1971?
- Chase, Jiggs
-
?; November 15, 1967
- Chautemps, Jean-Louis
-
Studio de la Comedie des Champs-Elysees, Paris; May 7, 1965
-
Paris, France; May 15, 1965
- Chicco, Renato
-
Studio 44, Monster, Holland; April 3, 1985
-
Radio Ljubljana, Yugoslavia; July 27-28, 1986
- Clarke, Kenny
-
Studio de la Comedie des Champs-Elysees, Paris; May 7, 1965
- Clarke, Stanley
-
?; 1971-1972?
-
Van Gelder Studios, Englewood Cliffs, NJ; July 28, 1972
- Cobham, Billy
-
Live at the Montreux Jazz Festival; July 24, 1977
- Coleman, George
-
Live at the Left Bank Jazz Society, Baltimore, MD; April 26, 1970
- Colin, Lois
-
CBS 30th Street Studio, NYC; December 15-19, 1977
-
MPS studios, Villingen, W. Germany; September 22-23, 1978
-
Zurich Schauspielhaus, Switzerland; October 1, 1978
- Cook, Junior
-
Generation Sound Studio, NYC; May 5, 1976
- Copeland, Ray
-
NYC?; 1974?
- Corea, Chick
-
Atlantic Recording Studios, NYC; November 30 & December 1, 1966
-
New York; June 30, 1969
- Cowell, Stanley
-
Olmsted Sound Studios, NYC; September 25, 1969
- Cranshaw, Bob
-
Van Gelder Studio, Englewood Cliffs, NJ; October 1 and 22, 1965
-
Van Gelder Studio, Englewood Cliffs, NJ; January 19, 1968
- Cruz, Rafael
-
Generation Sound Studios, NYC; April 7, 1977
- Cullaz, Alby
-
Paris, France; May 15, 1965
- Cunningham, Bob
-
Live at the Left Bank Jazz Society, Baltimore, MD; March 30, 1969
- Dailey, Albert
-
Live at the Left Bank Jazz Society, Baltimore, MD; March 30, 1969
- Daniels, Eddie
-
Lugano, Switzerland; April 5-6, 1972
- Davis, George
-
Atlantic Recording Studios, NYC; 1970-1971?
- Davis, Nathan
-
Villingen, Black Forest, Germany; January 30, 1965
-
Studio de la Comedie des Champs-Elysees, Paris; May 7, 1965
-
Paris, France; May 15, 1965
-
Sonet Studios, Stockholm; July 3, 1985
-
Sonet Studios, Stockholm; October 23-24, 1986
-
Friedrichstadtpalast, Berlin; June 4, 1988
-
Live at Theaterhaus, Stuttgart, W. Germany; summer, 1988
- Davis, Richard
-
Music Makers, Inc.; May-June, 1963
-
May 16, 1969
- DeJohnette, Jack
-
Van Gelder Studio, New Jersey; December 22, 1967
-
New York; June 30, 1969
-
Generation Sound Studios, NYC; April 7, 1977
-
Live at Town Hall, NYC; February 22, 1985
- Deutsch, Alexander
-
Radio Ljubljana, Yugoslavia; July 27-28, 1986
-
Live at Bazillus Zurich/Muhle Hunziken Bern; February 7-8, 1987
-
Live at the North Sea Jazz Festival; July 9, 1988
- DiDonato, Jacques
-
Paris, France; May 15, 1965
- Diehl, Eddie
-
Van Gelder Studios, Englewood Cliffs, NJ; July 31, 1970
- Dixon, Akua
-
CBS 52nd Street Studio B, NYC; December 17-20, 1979; etc.
- Dixon, Gale
-
CBS 52nd Street Studio B, NYC; December 17-20, 1979; etc.
- Dodgion, Jerry
-
MPS studios, Villingen, W. Germany; September 22-23, 1978
-
Zurich Schauspielhaus, Switzerland; October 1, 1978
- Dolphy, Eric
-
Music Makers, Inc.; May-June, 1963
- Downey, Alan
-
Live at the Montreux Jazz Festival; July 24, 1977
- Drew, Kenny
-
Sonet Studios, Stockholm; July 3, 1985
-
Sonet Studios, Stockholm; October 23-24, 1986
- Drummond, Ray
-
Live at the Montreux Jazz Festival; July 5, 1973
-
Wally Heider Recording Studio, LA; April 17-18, 1974
-
Van Gelder Studios, Englewood Cliffs, NJ; June 11-12, 1987
-
Van Gelder Studios, New Jersey; June 24, 1987
- Duke, George
-
Live at the Montreux Jazz Festival; July 24, 1977
- Eckinger, Isla
-
?; June 27-29, 1977
- Ericson, Runo
-
Lugano, Switzerland; April 5-6, 1972
- Eriksson, Rune
-
MPS studios, Villingen, W. Germany; September 22-23, 1978
-
Zurich Schauspielhaus, Switzerland; October 1, 1978
- Erskine, Peter
-
Live at the Montreux Jazz Festival; July 24, 1977
- Ervin, Booker
-
Van Gelder Studio, Englewood Cliffs, NJ; May 24, 1968
- Eubanks, David
-
Live at the Playboy Jazz Festival; June 19-20, 1982
- Faddis, Jon
-
?; June 27-29, 1977
- Farrell, Joe
-
Atlantic Recording Studios, NYC; November 30 & December 1, 1966
- Ferguson, Maynard
-
Live at the Montreux Jazz Festival; July 24, 1977
- Figueroa, Sammy
-
Generation Sound Studios, NYC; April 7, 1977
-
CBS 30th Street Studio, NYC; December 15-19, 1977
- Fonseque, Raymond
-
Paris, France; May 15, 1965
- Ford, Ricky
-
NYC; November, 1977
- Fortune, Sonny
-
New York; August 5, 7, 11, 14, 1975
-
Generation Sound Studios, NYC; April 7, 1977
- Foster, Frank
-
Live at the Berlin Jazz Festival; November 6, 1976
- Franco, Guilherme
-
?; September, 1974
-
Blue Rock Studios, NYC; December 11 and 18, 1974
-
New York; August 5, 7, 11, 14, 1975
-
Blue Rock Studio, NYC; November, 1975
-
Generation Sound Studio, NYC; May 5, 1976
- Franklin, Henry
-
Contemporary Studios, Los Angeles; September 15 and 18, 1972
- Fuller, Curtis
-
CBS Recording Studios, NYC; January 26, 1979
-
C & I Recording Studios, NYC; January 18-19, 1979
-
CBS 52nd Street Studio B, NYC; December 17-20, 1979; etc.
-
Friedrichstadtpalast, Berlin; June 4, 1988
-
Live at Theaterhaus, Stuttgart, W. Germany; summer, 1988
- Fuller, Jerry
-
Studio 306, Toronto, Canada; May, 1987
- Gajic, Dragan
-
Studio 44, Monster, Holland; April 3, 1985
- Gale, Eric
-
Live at the Montreux Jazz Festival; July 24, 1977
- Gardner, Earl
-
MPS studios, Villingen, W. Germany; September 22-23, 1978
-
Zurich Schauspielhaus, Switzerland; October 1, 1978
- Garnett, Carlos
-
Live in New Jersey (probably Rutgers University); April 15, 1969
-
May 16, 1969
- Garrett, Kenny
-
Van Gelder Studios, Englewood Cliffs, NJ; December 28, 1984
-
Van Gelder Studio, Englewood Cliffs, NJ; November 21-22, 1985
-
Van Gelder Studio, Englewood Cliffs, NJ; March 24, 1986
-
Live at the Mt. Fuji Jazz Festival; August 30-31, 1986
-
Van Gelder Studios, Englewood Cliffs, NJ; June 11-12, 1987
- Garvey, Winterton
-
CBS 52nd Street Studio B, NYC; December 17-20, 1979; etc.
- Gee, Matthew
-
RCA Studios, NYC; August 26, 1969
- Geller, Herb
-
Lugano, Switzerland; April 5-6, 1972
- Getz, Stan
-
Live at the Montreux Jazz Festival; July 24, 1977
-
Live at the Karl Marx Theatre, Havana, Cuba; March 3, 1979
- Gillespie, John Birks ("Dizzy")
-
Live at The Monterey Jazz Festival, Monterey, CA; September 15, 1979
- Gilson, Jef
-
Paris, France; May 15, 1965
- Gladden, Eddie
-
?; November 15, 1967
-
CBS Recording Studios, NYC; January 26, 1979
-
Live at the Playboy Jazz Festival; June 19-20, 1982
- Golson, Benny
-
Live at the Montreux Jazz Festival; July 24, 1977
-
Van Gelder Studio, Englewood Cliffs, NJ; December 7-8, 1982
- Gordon, Dexter
-
Lugano, Switzerland; April 5-6, 1972
-
Live at The Village Vanguard, NYC; December 11-12, 1976
-
Sound Ideas, NYC; June 21-22, 1977
-
Live at the Montreux Jazz Festival; July 24, 1977
-
CBS Recording Studios, NYC; January 26, 1979
-
Live at the Karl Marx Theatre, Havana, Cuba; March 3, 1979
-
Live at the Playboy Jazz Festival; June 19-20, 1982
- Gordon, John
-
NYC?; 1974?
- Goykovich, Dusko
-
Lugano, Switzerland; April 5-6, 1972
- Grey, Sonny
-
Paris, France; May 15, 1965
- Griffin, Johnny
-
Sonet Studios, Stockholm; July 3, 1985
- Gruntz, George
-
Lugano, Switzerland; April 5-6, 1972
-
?; June 27-29, 1977
-
MPS studios, Villingen, W. Germany; September 22-23, 1978
-
Zurich Schauspielhaus, Switzerland; October 1, 1978
- Guerin, Roger
-
Paris, France; May 15, 1965
- Guin, Frncois
-
Paris, France; May 15, 1965
- Gumbs, Onaje Allan
-
Blue Rock Studios, NYC; December 11 and 18, 1974
-
New York; August 5, 7, 11, 14, 1975
-
CBS 30th Street Studio, NYC; December 15-19, 1977
-
Live at The Village Vanguard, NYC; August 5-6, 1978
-
C & I Recording Studios, NYC; January 18-19, 1979
- Halburian, Armen
-
CBS 30th Street Studio, NYC; December 15-19, 1977
- Hampton, Lionel
-
NYC; November, 1977
- Hampton, Slide
-
Live at the Berlin Jazz Festival; November 6, 1976
-
CI Recording Studios, NYC; May 20-21, 1977
-
Sound Ideas, NYC; June 21-22, 1977
-
Live at the Montreux Jazz Festival; July 24, 1977
-
Live at The Monterey Jazz Festival, Monterey, CA; September 15, 1979
-
Sonet Studios, Stockholm; July 3, 1985
- Hancock, Herbie
-
NYC; December, 1965
-
Atlantic Recording Studios, NYC; 1970-1971?
- Hancock, Larry
-
Live at the Montreux Jazz Festival; July 5, 1973
-
Wally Heider Recording Studio, LA; April 17-18, 1974
- Harper, Billy
-
Blue Rock Studio, NYC; November, 1975
- Hart, Billy
-
Atlantic Recording Studios, NYC; 1970-1971?
-
?; 1971-1972?
-
?; September, 1974
-
New York; August 5, 7, 11, 14, 1975
- Hayes, Louis
-
Generation Sound Studio, NYC; May 5, 1976
-
Live at the Berlin Jazz Festival; November 6, 1976
-
Live at The Village Vanguard, NYC; December 11-12, 1976
-
live at Salle d'Epalinges, Lausanne, Sweden; February 4, 1977
-
CI Recording Studios, NYC; May 20-21, 1977
- Heath, Jimmy
-
Live at the Karl Marx Theatre, Havana, Cuba; March 3, 1979
- Heath, Percy
-
Live at the Karl Marx Theatre, Havana, Cuba; March 3, 1979
- Henderson, Bill
-
Wally Heider Recording Studio, LA; April 17-18, 1974
- Henderson, Eddie
-
?; 1971-1972?
- Henderson, Joe
-
Van Gelder Studio, Englewood Cliffs, NJ; October 1 and 22, 1965
-
Van Gelder Studio, Englewood Cliffs, NJ; November 10, 1965
-
NYC; December, 1965
-
The Half Note nightclub, NYC; February 11 and 18, 1966
-
live at The Lighthouse Cafe, Hermosa Beach, CA; September 24-26, 1970
-
?; September, 1970?
-
CBS 30th Street Studio, NYC; December 15-19, 1977
-
Sonet Studios, Stockholm; October 23-24, 1986
-
Studio 306, Toronto, Canada; May, 1987
-
Friedrichstadtpalast, Berlin; June 4, 1988
-
Live at Theaterhaus, Stuttgart, W. Germany; summer, 1988
- Hendricks, Jon
-
Fantasy Studios, Berkeley, CA; March 26-29, 1973
- Henke, Fred
-
Live at Bazillus Zurich/Muhle Hunziken Bern; February 7-8, 1987
- Herbert, Peter
-
Studio 44, Monster, Holland; April 3, 1985
-
Radio Ljubljana, Yugoslavia; July 27-28, 1986
- Higgins, Billy
-
Van Gelder Studio, Englewood Cliffs, NJ; January 19, 1968
-
Van Gelder Studio, Englewood Cliffs, NJ; May 24, 1968
-
Live at the Mt. Fuji Jazz Festival; August 30-31, 1986
- Hill, Andrew
-
May 16, 1969
- Holder, Clifford
-
Live at the Montreux Jazz Festival; July 24, 1977
- Holland, Dave
-
New York; June 30, 1969
- Holt, Scott
-
Van Gelder Studio, New Jersey; December 22, 1967
-
Van Gelder Studio, New Jersey; September 8, 1968
-
Live in New Jersey (probably Rutgers University); April 15, 1969
- Houston, Clint
-
A&R Studios, NYC; December 8-9, 1970
-
?; September, 1974
-
CBS 30th Street Studio, NYC; December 15-19, 1977
-
Live at The Village Vanguard, NYC; August 5-6, 1978
- Howell, Michael
-
Fantasy Studios, Berkeley, CA; March 26-29, 1973
- Hubbard, Freddie
-
Van Gelder Studio, Englewood Cliffs, NJ; December 7-8, 1982
-
Van Gelder Studio, Englewood Cliffs, NJ; November 21-22, 1985
-
Live at the Mt. Fuji Jazz Festival; August 30-31, 1986
-
Van Gelder Studios, Englewood Cliffs, NJ; June 11-12, 1987
- Humair, Daniel
-
Lugano, Switzerland; April 5-6, 1972
-
?; June 27-29, 1977
- Humphrey, Bobbi
-
Live at the Montreux Jazz Festival; July 24, 1977
- Humphries, Roger
-
Van Gelder Studio, Englewood Cliffs, NJ; October 1 and 22, 1965
-
The Half Note nightclub, NYC; February 11 and 18, 1966
-
Van Gelder Studio, Englewood Cliffs, NJ; November 2 and 23, 1966
- Hurst, Robert
-
Live at Baker's Keyboard Lounge, Detroit; February 26-27, 1986
- Hutcherson, Bobby
-
Music Makers, Inc.; May-June, 1963
-
Olmsted Sound Studios, NYC; September 25, 1969
-
Live at the Montreux Jazz Festival; July 5, 1973
-
Wally Heider Recording Studio, LA; April 17-18, 1974
-
Sound Ideas, NYC; June 21-22, 1977
-
Live at the Karl Marx Theatre, Havana, Cuba; March 3, 1979
-
Live at The Jazz Forum, NYC; February 25, 1982
- James, Bob
-
Live at the Montreux Jazz Festival; July 24, 1977
- James, Stafford
-
Generation Sound Studio, NYC; May 5, 1976
-
Blue Rock Studio, NYC; June 29, 1976
-
Live at the Berlin Jazz Festival; November 6, 1976
-
Live at The Village Vanguard, NYC; December 11-12, 1976
-
live at Salle d'Epalinges, Lausanne, Sweden; February 4, 1977
-
CI Recording Studios, NYC; May 20-21, 1977
-
CBS 52nd Street Studio B, NYC; December 17-20, 1979; etc.
-
Right Track Studios, NYC; March 7, 9, 17, 1981
-
Vanguard Studios, NYC; January 7, 1982
-
Live at The Jazz Forum, NYC; February 25, 1982
-
Live at "Osteria Delle Dame", Bologna; January 1, 1983
- Jansa, Tone
-
Studio 44, Monster, Holland; April 3, 1985
-
Radio Ljubljana, Yugoslavia; July 27-28, 1986
- Jarvis, Clifford
-
A&R Studios, NYC; July 1, 1970
- Jeffers, George
-
NYC?; 1974?
- Jeffers, Jack
-
NYC?; 1974?
- Johnson, Alfonso
-
Live at the Montreux Jazz Festival; July 24, 1977
- Jefferson, Carter
-
Fantasy Studios, Berkeley, CA; March 26-29, 1973
-
CBS 30th Street Studio, NYC; December 15-19, 1977
-
Live at The Village Vanguard, NYC; August 5-6, 1978
-
C & I Recording Studios, NYC; January 18-19, 1979
-
CBS 52nd Street Studio B, NYC; December 17-20, 1979; etc.
- Jefferson, Eddie
-
CBS Recording Studios, NYC; January 26, 1979
- Jeffrey, Paul
-
NYC; November, 1977
- Johnson, Gordon
-
Live at the Montreux Jazz Festival; July 24, 1977
- Johnson, Howard
-
Sound Ideas, NYC; June 21-22, 1977
-
MPS studios, Villingen, W. Germany; September 22-23, 1978
-
Zurich Schauspielhaus, Switzerland; October 1, 1978
- Johnson, J.J.
-
Van Gelder Studio, Englewood Cliffs, NJ; October 1 and 22, 1965
- Johnson, Joan
-
May 16, 1969
- Johnson, Lamont
-
Van Gelder Studio, New Jersey; December 22, 1967
-
Van Gelder Studio, Englewood Cliffs, NJ; January 19, 1968
-
Van Gelder Studio, New Jersey; September 8, 1968
- Johnson, Reggie
-
?; 1970-1971?
- Jones, Elvin
-
Van Gelder Studio, Englewood Cliffs, NJ; November 10, 1965
-
MPS studios, Villingen, W. Germany; September 22-23, 1978
-
Zurich Schauspielhaus, Switzerland; October 1, 1978
- Jones, Victor
-
Van Gelder Studio, Englewood Cliffs, NJ; December 1, 1983
-
Van Gelder Studio, Englewood Cliffs, NJ; March 24, 1986
- Jones, Virgil
-
Lugano, Switzerland; April 5-6, 1972
- Jordan, Clifford
-
Music Makers, Inc.; May-June, 1963
- Jouhard, Henri
-
Paris, France; May 15, 1965
- Julien, Ivan
-
Paris, France; May 15, 1965
- Kahn, Eddie
-
Music Makers, Inc.; May-June, 1963
- Kelly, Walt
-
The Club Ruby, NYC; mid 1960's
- Khan, Steve
-
Live at the Montreux Jazz Festival; July 24, 1977
- King, Gary
-
Generation Sound Studios, NYC; April 7, 1977
- Kleinschuster, Eric
-
Lugano, Switzerland; April 5-6, 1972
- Knepper, Jimmy
-
MPS studios, Villingen, W. Germany; September 22-23, 1978
-
Zurich Schauspielhaus, Switzerland; October 1, 1978
- La Mar, La Reine
-
May 16, 1969
- Land, Harold
-
Wally Heider Recording Studio, LA; April 17-18, 1974
- Lasha, Prince
-
Music Makers, Inc.; May-June, 1963
- Lawrence, Azar
-
?; September, 1974
-
Blue Rock Studios, NYC; December 11 and 18, 1974
- Laws, Hubert
-
New York; June 30, 1969
-
NYC?; 1974?
-
Live at the Montreux Jazz Festival; July 24, 1977
-
Live at the Karl Marx Theatre, Havana, Cuba; March 3, 1979
- Lawson, Hugh
-
Live at the Left Bank Jazz Society, Baltimore, MD; April 26, 1970
- Lee, David
-
Atlantic Recording Studios, NYC; 1970-1971?
- Leitch, Peter
-
Van Gelder Studio, Englewood Cliffs, NJ; March 24, 1986
- Lewis, Herbie
-
Van Gelder Studio, New Jersey; August 23, 1968
- Lewis, Jimmy
-
?; November 15, 1967
- Lewis, Victor
-
Blue Rock Studios, NYC; December 11 and 18, 1974
-
Blue Rock Studio, NYC; November, 1975
-
Blue Rock Studio, NYC; April 6 and 13, 1977
-
Sound Ideas, NYC; June 21-22, 1977
-
CBS 30th Street Studio, NYC; December 15-19, 1977
-
Live at The Village Vanguard, NYC; August 5-6, 1978
-
C & I Recording Studios, NYC; January 18-19, 1979
-
CBS 52nd Street Studio B, NYC; January 24, 1979
-
CBS 52nd Street Studio B, NYC; December 17-20, 1979; etc.
- Lightsey, Kirk
-
Live at the Playboy Jazz Festival; June 19-20, 1982
-
Van Gelder Studios, New Jersey; June 24, 1987
- Locker, Richard
-
CBS 52nd Street Studio B, NYC; December 17-20, 1979; etc.
- Lovelle, Herbie
-
NYC?; 1974?
- Lubat, Bernard
-
Paris, France; May 15, 1965
- MacDonald, Ralph
-
Live at the Montreux Jazz Festival; July 24, 1977
- Mantilla, Ray
-
Van Gelder Studios, Englewood Cliffs, NJ; July 28, 1972
- Marcus, Suzanne
-
New York; August 5, 7, 11, 14, 1975
- Mark, Stan
-
Live at the Montreux Jazz Festival; July 24, 1977
- Marshall, Lawrence
-
May 16, 1969
- Mathews, Ronnie
-
Generation Sound Studio, NYC; May 5, 1976
-
Blue Rock Studio, NYC; June 29, 1976
-
Live at the Berlin Jazz Festival; November 6, 1976
-
Live at The Village Vanguard, NYC; December 11-12, 1976
-
live at Salle d'Epalinges, Lausanne, Sweden; February 4, 1977
-
CI Recording Studios, NYC; May 20-21, 1977
- Maupin, Bennie
-
New York; June 30, 1969
-
A&R Studios, NYC; December 8-9, 1970
-
Contemporary Studios, Los Angeles; September 15 and 18, 1972
- McBee, Cecil
-
Live at the Left Bank Jazz Society, Baltimore, MD; April 26, 1970
-
A&R Studios, NYC; July 1, 1970
-
Sound Idea Studio, NYC; February 10, 1971
-
Blue Rock Studios, NYC; December 11 and 18, 1974
-
Blue Rock Studio, NYC; November, 1975
-
Blue Rock Studio, NYC; April 6 and 13, 1977
-
Van Gelder Studio, Englewood Cliffs, NJ; December 7-8, 1982
-
Live at Town Hall, NYC; February 22, 1985
-
Van Gelder Studio, Englewood Cliffs, NJ; November 21-22, 1985
- McClure, Ron
-
live at The Lighthouse Cafe, Hermosa Beach, CA; September 24-26, 1970
-
?; September, 1970?
- Mchezaji
-
?; 1971-1972?
- McLean, Jackie
-
Van Gelder Studio, New Jersey; December 22, 1967
-
Van Gelder Studio, New Jersey; September 8, 1968
-
Live at Town Hall, NYC; February 22, 1985
-
Live at the Mt. Fuji Jazz Festival; August 30-31, 1986
- McLean, Rene
-
Blue Rock Studio, NYC; November, 1975
-
Live at the Berlin Jazz Festival; November 6, 1976
-
live at Salle d'Epalinges, Lausanne, Sweden; February 4, 1977
-
CI Recording Studios, NYC; May 20-21, 1977
-
C & I Recording Studios, NYC; January 18-19, 1979
- Michaels, Lloyd
-
NYC?; 1974?
- Mikkelborg, Palle
-
?; June 27-29, 1977
-
MPS studios, Villingen, W. Germany; September 22-23, 1978
-
Zurich Schauspielhaus, Switzerland; October 1, 1978
- Miller, Mulgrew
-
Right Track Studios, NYC; March 7, 9, 17, 1981
-
Vanguard Studios, NYC; January 7, 1982
-
Live at The Jazz Forum, NYC; February 25, 1982
-
Live at "Osteria Delle Dame", Bologna; January 1, 1983
-
Van Gelder Studios, Englewood Cliffs, NJ; December 28, 1984
-
Van Gelder Studio, Englewood Cliffs, NJ; November 21-22, 1985
-
Van Gelder Studios, Englewood Cliffs, NJ; June 11-12, 1987
- Millitello, Bob
-
Live at the Montreux Jazz Festival; July 24, 1977
- Mingus, Charles
-
NYC; November, 1977
- Mitchell, Billy
-
NYC?; 1974?
- Mitchell, Blue
-
The Club Ruby, NYC; mid 1960's
- Mobley, Hank
-
Van Gelder Studio, Englewood Cliffs, NJ; January 19, 1968
-
Van Gelder Studios, Englewood Cliffs, NJ; July 31, 1970
- Moffet, Charles
-
Music Makers, Inc.; May-June, 1963
- Moncur, Grachan III
-
Van Gelder Studio, New Jersey; September 8, 1968
-
Sonet Studios, Stockholm; October 23-24, 1986
- Moore, Eddie
-
Blue Rock Studio, NYC; June 29, 1976
- Moreira, Airto
-
?; 1971-1972?
- Morris, Ramon
-
Van Gelder Studios, Englewood Cliffs, NJ; July 28, 1972
-
Contemporary Studios, Los Angeles; September 15 and 18, 1972
- Morrison, Peck
-
The Club Ruby, NYC; mid 1960's
- Mosello, Joe
-
Live at the Montreux Jazz Festival; July 24, 1977
- Moses, J.C.
-
Music Makers, Inc.; May-June, 1963
- Mtume
-
?; 1971-1972?
- Muhammad, Idris
-
Sonet Studios, Stockholm; October 23-24, 1986
-
Friedrichstadtpalast, Berlin; June 4, 1988
-
Live at Theaterhaus, Stuttgart, W. Germany; summer, 1988
- Mulligan, Gerry
-
NYC; November, 1977
- Murray, Woody
-
?; September, 1974
- Nash, Kenneth
-
Wally Heider Recording Studio, LA; April 17-18, 1974
-
?; September, 1974
- Neloms, Bob
-
NYC; November, 1977
- Nelson, Gail
-
May 16, 1969
- Newman, David "Fathead"
-
?; 1976?
- Newman, Joe
-
NYC?; 1974?
- Orsted-Pedersen, Niels-Henning
-
Lugano, Switzerland; April 5-6, 1972
- Owens, Frank
-
NYC?; 1974?
- Payne, Cecil
-
RCA Studios, NYC; August 26, 1969
- Perkins, Geoffrey
-
Live at the Montreux Jazz Festival; July 24, 1977
- Perkins, Walter
-
The Club Ruby, NYC; mid 1960's
- Persson, Ake
-
Lugano, Switzerland; April 5-6, 1972
- Portal, Michel
-
Paris, France; May 15, 1965
- Porter, Robbie
-
?; November 15, 1967
- Powell, Benny
-
NYC?; 1974?
- Rainey, Chuck
-
NYC?; 1974?
- Ray, Antenett Goodman
-
May 16, 1969
- Reece, Dizzy
-
Sonet Studios, Stockholm; July 3, 1985
- Reedus, Tony
-
Right Track Studios, NYC; March 7, 9, 17, 1981
-
Vanguard Studios, NYC; January 7, 1982
-
Live at The Jazz Forum, NYC; February 25, 1982
-
Live at "Osteria Delle Dame", Bologna; January 1, 1983
-
Van Gelder Studios, Englewood Cliffs, NJ; December 28, 1984
- Reeves, Nat
-
Van Gelder Studios, Englewood Cliffs, NJ; December 28, 1984
- Reid, Rufus
-
Sound Ideas, NYC; June 21-22, 1977
-
CBS Recording Studios, NYC; January 26, 1979
- Richardson, Wally
-
?; November 15, 1967
- Richmond, Dannie
-
NYC; November, 1977
- Richmond, Mike
-
MPS studios, Villingen, W. Germany; September 22-23, 1978
-
Zurich Schauspielhaus, Switzerland; October 1, 1978
- Ridley, Larry
-
The Half Note nightclub, NYC; February 11 and 18, 1966
-
Van Gelder Studio, Englewood Cliffs, NJ; November 2 and 23, 1966
- Riley, Ben
-
Van Gelder Studio, Englewood Cliffs, NJ; December 7-8, 1982
- Roach, Maxine
-
CBS 52nd Street Studio B, NYC; December 17-20, 1979; etc.
- Robinson, Janice
-
CBS 30th Street Studio, NYC; December 15-19, 1977
- Rouse, Charlie
-
Live at The Village Vanguard, NYC; September 16, 1986
-
Live at The Village Vanguard, NYC; September ~16, 1986?
- Salas, Veronica
-
CBS 52nd Street Studio B, NYC; December 17-20, 1979; etc.
- Sanders, Pharoah
-
A&R Studios, NYC; July 1, 1970
- Schaffer ,Janne
-
Live at the Montreux Jazz Festival; July 24, 1977
- Schmocker, Walter
-
Live at the North Sea Jazz Festival; July 9, 1988
- Scofield, John
-
MPS studios, Villingen, W. Germany; September 22-23, 1978
-
Zurich Schauspielhaus, Switzerland; October 1, 1978
- Seals, Sonny
-
?; 1976?
- Sharpe, C.
-
RCA Studios, NYC; August 26, 1969
- Sharpe, Chinalin
-
RCA Studios, NYC; August 26, 1969
- Shepp, Archie
-
RCA Studios, NYC; August 26, 1969
- Shihab, Sahib
-
Lugano, Switzerland; April 5-6, 1972
- Shorter, Wayne
-
Van Gelder Studio, New Jersey; August 23, 1968
- Sidran, Ben
-
?; 1976?
- Silver, Horace
-
Van Gelder Studio, Englewood Cliffs, NJ; October 1 and 22, 1965
-
The Half Note nightclub, NYC; February 11 and 18, 1966
-
Van Gelder Studio, Englewood Cliffs, NJ; November 2 and 23, 1966
- Simmons, Barbara
-
Van Gelder Studio, New Jersey; September 8, 1968
- Simmons, Sonny
-
Music Makers, Inc.; May-June, 1963
- Simmons, Huey
-
Music Makers, Inc.; May-June, 1963
- Singh, Judi
-
CBS 52nd Street Studio B, NYC; December 17-20, 1979; etc.
- Skidmore, Alan
-
MPS studios, Villingen, W. Germany; September 22-23, 1978
-
Zurich Schauspielhaus, Switzerland; October 1, 1978
- Smith, Lonnie Liston
-
The Club Ruby, NYC; mid 1960's
-
A&R Studios, NYC; July 1, 1970
- Spaulding, James
-
Van Gelder Studio, Englewood Cliffs, NJ; November 2 and 23, 1966
-
Van Gelder Studio, Englewood Cliffs, NJ; 1967-1968 (?)
-
C & I Recording Studios, NYC; January 18-19, 1979
-
CBS 52nd Street Studio B, NYC; December 17-20, 1979; etc.
- Spinosa, Dave
-
NYC?; 1974?
- Steward, Ron
-
May 16, 1969
- Straughter, Ray
-
?; September, 1974
- Strozier, Frank
-
Blue Rock Studio, NYC; June 29, 1976
- Sullivan, Charles
-
C & I Recording Studios, NYC; January 18-19, 1979
- Swainson, Neil
-
Van Gelder Studio, Englewood Cliffs, NJ; March 24, 1986
-
Live at Bazillus Zurich/Muhle Hunziken Bern; February 7-8, 1987
-
Studio 306, Toronto, Canada; May, 1987
- Swallow, Steve
-
Atlantic Recording Studios, NYC; November 30 & December 1, 1966
- Tabackin, Lew
-
MPS studios, Villingen, W. Germany; September 22-23, 1978
-
Zurich Schauspielhaus, Switzerland; October 1, 1978
- Tate, Grady
-
NYC?; 1974?
- Tee, Richard
-
?; 1976?
- Temperley, Joseph
-
NYC?; 1974?
- Terry, Buddy
-
?; November 15, 1967
-
?; 1971-1972?
- Terry Girls, The
-
?; November 15, 1967
- Thelin, Eje
-
MPS studios, Villingen, W. Germany; September 22-23, 1978
-
Zurich Schauspielhaus, Switzerland; October 1, 1978
- Theus, Woodrow II
-
Contemporary Studios, Los Angeles; September 15 and 18, 1972
- Thollot, Jacques
-
Paris, France; May 15, 1965
- Thomas, Joe
-
?; November 15, 1967
- Turbinton, Earl
-
Atlantic Recording Studios, NYC; 1970-1971?
-
New York; August 5, 7, 11, 14, 1975
- Turre, Steve
-
Fantasy Studios, Berkeley, CA; March 26-29, 1973
-
Blue Rock Studios, NYC; December 11 and 18, 1974
-
Blue Rock Studio, NYC; November, 1975
-
CBS 30th Street Studio, NYC; December 15-19, 1977
-
C & I Recording Studios, NYC; January 18-19, 1979
-
CBS 52nd Street Studio B, NYC; December 17-20, 1979; etc.
-
Right Track Studios, NYC; March 7, 9, 17, 1981
-
Vanguard Studios, NYC; January 7, 1982
-
Live at The Jazz Forum, NYC; February 25, 1982
-
Live at "Osteria Delle Dame", Bologna; January 1, 1983
-
Van Gelder Studios, New Jersey; June 24, 1987
- Tyner, McCoy
-
Van Gelder Studio, New Jersey; August 23, 1968
-
Live at Town Hall, NYC; February 22, 1985
- Upchurch, Phil
-
?; 1976?
- Urtreger, Rene
-
Studio de la Comedie des Champs-Elysees, Paris; May 7, 1965
- Urushiyama, Nobu
-
C & I Recording Studios, NYC; January 18-19, 1979
- van Leer, Thijs
-
Live at the Montreux Jazz Festival; July 24, 1977
- Vasconcelos, Nana
-
CBS 52nd Street Studio B, NYC; December 17-20, 1979; etc.
- Vass, James
-
CBS 30th Street Studio, NYC; December 15-19, 1977
- Ver Planck, J. Billy
-
NYC?; 1974?
- Vick, Harold
-
Sound Idea Studio, NYC; February 10, 1971
-
?; 1970-1971?
- Vitous, Miroslav
-
Atlantic Recording Studios, NYC; 1970-1971?
- Waits, Freddie
-
Van Gelder Studio, New Jersey; August 23, 1968
-
May 16, 1969
- Wallace, Bennie
-
MPS studios, Villingen, W. Germany; September 22-23, 1978
-
Zurich Schauspielhaus, Switzerland; October 1, 1978
- Waldron, Mal
-
Live at The Village Vanguard, NYC; September 16, 1986
-
Live at The Village Vanguard, NYC; September ~16, 1986?
- Walrath, Jack
-
NYC; November, 1977
- Walton, Cedar
-
RCA Studios, NYC; August 26, 1969
-
Van Gelder Studios, Englewood Cliffs, NJ; July 31, 1970
-
Fantasy Studios, Berkeley, CA; March 26-29, 1973
-
Live at the Karl Marx Theatre, Havana, Cuba; March 3, 1979
-
Van Gelder Studio, Englewood Cliffs, NJ; December 1, 1983
-
Live at the Mt. Fuji Jazz Festival; August 30-31, 1986
- Ward, Carlos
-
Live at the North Sea Jazz Festival; July 9, 1988
- Ware, Wilbur
-
RCA Studios, NYC; August 26, 1969
- Washington, Tyrone
-
Van Gelder Studio, Englewood Cliffs, NJ; November 2 and 23, 1966
-
Olmsted Sound Studios, NYC; September 25, 1969
- Waters, Tony
-
live at The Lighthouse Cafe, Hermosa Beach, CA; September 24-26, 1970
-
Fantasy Studios, Berkeley, CA; March 26-29, 1973
-
Blue Rock Studios, NYC; December 11 and 18, 1974
-
Blue Rock Studio, NYC; November, 1975
- Webb, Art
-
CBS 30th Street Studio, NYC; December 15-19, 1977
- Wess, Frank
-
Sound Ideas, NYC; June 21-22, 1977
-
CBS 30th Street Studio, NYC; December 15-19, 1977
- Weston, Azzedin
-
C & I Recording Studios, NYC; January 18-19, 1979
- Wheeler, Kenny
-
?; June 27-29, 1977
- Whigham, Jiggs
-
Lugano, Switzerland; April 5-6, 1972
- White, Lenny
-
live at The Lighthouse Cafe, Hermosa Beach, CA; September 24-26, 1970
-
?; September, 1970?
-
A&R Studios, NYC; December 8-9, 1970
-
?; 1971-1972?
- Wiles, Anthony
-
A&R Studios, NYC; July 1, 1970
- Williams, Buster
-
Blue Rock Studios, NYC; December 11 and 18, 1974
-
New York; August 5, 7, 11, 14, 1975
-
C & I Recording Studios, NYC; January 18-19, 1979
-
CBS 52nd Street Studio B, NYC; January 24, 1979
-
Van Gelder Studio, Englewood Cliffs, NJ; December 1, 1983
-
Live at the Mt. Fuji Jazz Festival; August 30-31, 1986
- Williams, Leroy
-
Van Gelder Studios, Englewood Cliffs, NJ; July 31, 1970
- Williams, Tony
-
Live at the Karl Marx Theatre, Havana, Cuba; March 3, 1979
- Williamson, Gary
-
Studio 306, Toronto, Canada; May, 1987
- Willis, Larry
-
CBS 52nd Street Studio B, NYC; December 17-20, 1979; etc.
- Woode, Jimmy
-
Villingen, Black Forest, Germany; January 30, 1965
-
Studio de la Comedie des Champs-Elysees, Paris; May 7, 1965
-
Sonet Studios, Stockholm; July 3, 1985
-
Sonet Studios, Stockholm; October 23-24, 1986
-
Friedrichstadtpalast, Berlin; June 4, 1988
-
Live at Theaterhaus, Stuttgart, W. Germany; summer, 1988
- Woods, Chris
-
NYC?; 1974?
- Woods, Phil
-
Lugano, Switzerland; April 5-6, 1972
- Workman, Reggie
-
Van Gelder Studio, Englewood Cliffs, NJ; 1967-1968 (?)
-
Olmsted Sound Studios, NYC; September 25, 1969
-
Live at The Village Vanguard, NYC; September 16, 1986
-
Live at The Village Vanguard, NYC; September ~16, 1986?
- Young, Larry
-
Villingen, Black Forest, Germany; January 30, 1965
-
Van Gelder Studio, Englewood Cliffs, NJ; November 10, 1965
-
NYC; December, 1965
-
?; November 15, 1967
- Young, Snooky
-
NYC?; 1974?
- Zawinul, Joe
-
Atlantic Recording Studios, NYC; 1970-1971?
- Zwerin, Mike
-
?; June 27-29, 1977
-
MPS studios, Villingen, W. Germany; September 22-23, 1978
-
Zurich Schauspielhaus, Switzerland; October 1, 1978